Sarah Howgate Livres

David Hockney is recognised as one of the master draughtsmen of our times and a champion of the medium. This book will feature Hockney's work from the 1950s to now and focus on his depictions of himself and a smaller group of sitters close to him: his muse, Celia Birtwell; his mother, Laura Hockney; and his friends, the curator, Gregory Evans, and master printer, Maurice Payne.0This book will examine not only how drawing is fundamental to Hockney's distinctive way of observing the world around him, but also how it has been a testing ground for ideas and modes of expression later played out in his paintings.0From Old Masters to modern masters, from Holbein to Picasso, Hockney's portrait drawings reveal his admiration for his artistic predecessors and his continuous stylistic experimentation throughout his career.0Alongside an in-depth essay from the curator, this book will feature an exclusive interview between author and curator, Sarah Howgate, and artist, David Hockney. In addition, an 'In Focus' essay by British Museum curator Isabel Seligman, will explore the relationship between Hockney, Ingres and Picasso drawings.00Exhibition: The National Portrait Gallery, London, UK (27.02.-28.06.2020), The Morgan Library & Museum, New York, USA (02.10.20-17.01.21).

Previously unpublished drawings from the private sketchbooks of the pre-eminent British painter offer a new perspective on the artist’s personality and artistic genius This revelatory publication features a selection of beautifully reproduced images from the sketchbooks of Lucian Freud (1922–2011), one of the world’s greatest realist painters. Most of the sketches – which include works in pencil, pastel, and watercolor from across the artist’s long career – are published here for the first time. These fascinating images extend our understanding of Freud’s work and demonstrate the scrutiny he brought to his subjects. The sketchbooks, now in the archive of the National Portrait Gallery, London, include portraits of Freud’s family members, friends, and lovers. Designs for book covers, images of his beloved dogs and horses, landscapes, and interiors appear among nudes, still lifes, and several sketches that relate to major works. Around and between the drawings are Freud’s annotations and jottings – appointments, racing tips, notes, musings – which, with startling immediacy, provide a glimpse into the working life of one of the 20th century’s most important artists. The book includes an insightful essay by Martin Gayford, who sat for portraits by Freud and knew him well, and an illustrated chronology of the artist’s life.

Accompanying one of the most anticipated exhibitions of the past few years, this catalogue captures the grand scale and vibrant color of Hockney's work of the twenty-first century. In the past decade, having returned to England after years on the California coast, David Hockney has focused his attention on both landscapes and portraits, all the while maintaining his fascination with digital technology. The resulting work is a fanfare of color and light, ranging in dimension from billboard- to letter-size, and is the basis for a thrilling new exhibition that promises to become one of the most popular in recent memory. This lush and impeccably produced catalogue features over 100 full-color works of art from museum collections and Hockney's private studio, including such major new works as The Arrival of Spring in Woldgate Wood, The Bigger Message, and Bigger Yosemite. It also includes multiple-image galleries (spread over gatefolds) of some of his iPad drawings and self-portraits, plus film stills from the artist's "Cubist" movies. Hockney's own insight into this latest chapter of his career is found across the book's pages and is accompanied by thoughtful commentary by renowned critic Lawrence Weschler and art historian Sarah Howgate.

Einer der bedeutendsten Porträtmaler des 20. Jahrhunderts - Komplette Werkübersicht über die Porträts aus sieben Jahrzehnten Der 2011 verstorbene Maler Lucian Freud galt zu Lebzeiten als „größter lebender realistischer Maler“ – und als teuerster: Sein Porträt einer stark übergewichtigen Frau, „Benefits Supervisor Sleeping“, kam 2008 für 33,6 Millionen Dollar unter den Hammer und erzielte damit den höchsten Preis, der je für das Werk eines lebenden Künstlers gezahlt wurde. Der Band mit 130 Porträts aus sieben Jahrzehnten – Gemälden, Zeichnungen und Radierungen – präsentiert eine komplette Werkübersicht. In bislang unveröffentlichten Interviews spricht der Künstler über die besonderen Herausforderungen der Aktmalerei und des Selbstporträts.