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Richard Abel

    French Film Theory and Criticism
    Our Country/Whose Country?: Early Westerns and Travel Films as Stories of Settler Colonialism
    French Film Theory and Criticism
    • French Film Theory and Criticism

      A History - Anthology, 1907-1939

      • 484pages
      • 17 heures de lecture

      These two volumes examine a significant but previously neglected moment in French cultural history: the emergence of French film theory and criticism before the essays of André Bazin. Richard Abel has devised an organizational scheme of six nearly symmetrical periods that serve to "bite into" the discursive flow of early French writing on the cinema. Each of the periods is discussed in a separate and extensive historical introduction, with convincing explications of the various concepts current at the time. In each instance, Abel goes on to provide a complementary anthology of selected texts in translation. Amounting to a portable archive, these anthologies make available a rich selection of nearly one hundred and fifty important texts, most of them never before published in English.

      French Film Theory and Criticism
    • Focusing on early westerns and travel images, the analysis delves into the portrayal of settler colonialism and its impact on American culture. It examines how these narratives reflect the westward expansion of white settlers and the evolving concept of "American Progress," highlighting the cultural transformations that accompanied this historical phenomenon. Through this lens, the book uncovers the complexities of American identity and the implications of expansionist ideals.

      Our Country/Whose Country?: Early Westerns and Travel Films as Stories of Settler Colonialism
    • French Film Theory and Criticism

      A History/Anthology: 1929-1959

      • 328pages
      • 12 heures de lecture

      These two volumes examine a significant but previously neglected moment in French cultural history: the emergence of French film theory and criticism before the essays of Andr Bazin. Richard Abel has devised an organizational scheme of six nearly symmetrical periods that serve to bite into the discursive flow of early French writing on the cinema. Each of the periods is discussed in a separate and extensive historical introduction, with convincing explications of the various concepts current at the time. In each instance, Abel goes on to provide a complementary anthology of selected texts in translation. Amounting to a portable archive, these anthologies make available a rich selection of nearly one hundred and fifty important texts, most of them never before published in English.

      French Film Theory and Criticism