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Kate Rees

    Flaubert: transportation, progression, progress
    The Journalist in the French Fin-de-siècle Novel
    • The Journalist in the French Fin-de-siècle Novel

      Enfants de la presse

      • 246pages
      • 9 heures de lecture

      Amidst the French fin de siècle, the tension between literature and journalism intensified as authors sought to differentiate their work from journalistic reporting. The era saw a surge in press circulation due to technological advances and greater literacy, leading to sensationalized content. In response, novels of the time portrayed journalists in varied lights—ranging from unscrupulous to heroic—while employing journalistic techniques. Through analyses of notable writers like Zola, Maupassant, and Tinayre, Kate Rees explores the literary reactions to journalism's evolution, including the rise of crime reporting and women's publications.

      The Journalist in the French Fin-de-siècle Novel
    • A belief in progress tells us something about the way a society views itself. Progress speaks of confidence, optimism and dynamism. It assures us of pattern and structure. In the nineteenth century, as the Christian model of development is increasingly challenged and as geological findings expand understanding of history, so progress emerges from the Enlightenment as an ever more acute subject for debate. This book addresses the theme of progress and patterns of progression in the work of Flaubert. Through close textual analysis of his works and particular scrutiny of his narrative structures, this book argues that Flaubert’s position in the mid-nineteenth century situates his work at an intriguing historical crossroads, between Romantic faith in progress and assertions of Decadent decline. Flaubert’s response to progress is rich and complicated, offering stimulating views of momentum and perfectibility. In this study, actual progression is seen as a metaphor for understanding Flaubert’s attitude to historical progress. Each chapter focuses on a particular vehicle or pattern of movement, analysing journeys undertaken by characters in Flaubert’s texts as models of disrupted, non-linear progression which provide a counter-current to contemporary ideologies of progress. A closing chapter examines connections between Flaubert and Huysmans, investigating the response to progress in later nineteenth-century literature.

      Flaubert: transportation, progression, progress