Robert Bringhurst Livres

Focusing on the interplay between spoken and written language, this collection of thirteen lectures offers a profound exploration of storytelling, mythology, and oral culture. Robert Bringhurst emphasizes "ecological linguistics," highlighting the significance of Native American art and storytelling in understanding poetry and literature. His work advocates for a broader, more inclusive definition of literature that embraces diverse cultural expressions, making it a compelling study for those interested in language and its cultural roots.

Renowned typographer and poet Robert Bringhurst brings clarity to the art of typography with this masterful style guide. Combining practical, theoretical, and historical, this book is a must for graphic artists, editors, or anyone working with the printed page using digital or traditional methods. Having established itself as a standard in its field The Elements of Typographic Style is house manual at most American university presses, a standard university text, and a reference work in studios of designers around the world. It has been translated into italian and greek, and dutch.

This lovely, well-written book is concerned foremost with creating beautiful typography and is essential for professionals who regularly work with typographic designs. Author Robert Bringhurst writes about designing with the correct typeface; striving for rhythm, proportion, and harmony; choosing and combining type; designing pages; using section heads, subheads, footnotes, and tables; applying kerning and other type adjustments to improve legibility; and adding special characters, including punctuation and diacritical marks. The Elements of Typographic Style teaches the history of and the artistic and practical perspectives on a variety of type families that are available in Europe and America today. The last section of the book classifies and displays many type families, offers a glossary of typography terms, and lists type designers and type foundries. The book briefly mentions digital typography, but otherwise ignores it, focusing instead on general typography and page- and type-design issues. Its examples include text in a variety of languages--including English, Russian, German, and Greek--which is particularly helpful if your work has a multinational focus.

A seminal collection of Haida myths and legends; now in a gorgeous new package. The linguist and ethnographer John Swanton took dictation from the last great Haida-speaking storytellers, poets and historians from the fall of 1900 through the summer of 1901. Together they created a great treasury of Haida oral literature in written form. Having worked for many years with these century-old manuscripts, linguist and poet Robert Bringhurst brings both rigorous scholarship and a literary voice to the English translation of John Swanton's careful work. He sets the stories in a rich context that reaches out to dozens of native oral literatures and to myth-telling traditions around the globe. Attractively redesigned, this collection of First Nations oral literature is an important cultural record for future generations of Haida, scholars and other interested readers. It won the Edward Sapir Prize, awarded by the Society for Linguistic Anthropology, and it was chosen as the Literary Editor's Book of the Year by the Times of London. Bringhurst brings these works to life in the English language and sets them in a context just as rich as the stories themselves one that reaches out to dozens of Native American oral literatures, and to mythtelling traditions around the world.

In this companion volume to The Tree of Meaning, Robert Bringhurst collects twenty essays under the subversive principle that "everything is related to everything else." His studies build upon this sense of basic connection, and involve the work of poets, musicians, and philosophers as varied as Ezra Pound, John Thompson, Don McKay, Empedokles, Parmenides, Aristotle, Skaay, Plato, George Clutesi, Elizabeth Nyman, Ludwig Wittgenstein, Dennis Lee, and Glenn Gould. The value Bringhurst places on the process of translation, the dialogue between one language and another, and the sheer experience of witnessing translation by reading and hearing poems, stories, and songs in their original languages is another strong presence in this collection. Accompanying the English narrative are passages in Tlingit, Haida, Chinese, Greek, German, Cree, and Russian, for readers who want to find the patterns and taste some of the vocabulary for themselves, for those interested in meeting the languages partway.

Presented here are 10 authentic retellings of traditional Haida myths and folktales. The stories range from bawdy tales of how the first Haida were brought to the Queen Charlotte Islands, to poignant narratives of the complexities of love in a world where animals speak, dreams come alive, and demigods, monsters, and people live side by side. 10 illustrations.

This collection showcases the work of a prominent contemporary Canadian poet, highlighting their unique voice and innovative use of language. The poems delve into themes of identity, nature, and the human experience, offering readers a profound exploration of emotions and reflections on life. With a blend of personal and universal perspectives, the collection invites readers to engage deeply with the poet's insights and artistry.

Two powerful writers draw upon philosophy to find a roadmap for grace and equanimity in the face of the death of our planet.

'Stopping By' heißt ein neues Gedicht des kanadischen Schriftstellers, Dichters und Typographen Robert Bringhurst. Es einstand 2011 und ist im Oktober 2012 als Druck der Hirundo Press erschienen. Das Gedicht, in drei Teilen geschrieben, stellt das Rätsel des Waldes dar: gehört er uns oder wir ihm? Die Frage wird in diesem bewegenden Gedicht auf das ganze Leben übertragen. Bringhurst hat das Gedicht am 21 June 2011 vollendet; es erscheint hier als Erstdruck in limitierter Auflage von 30 numerierten, signierten Exemplaren.