Chris Lukinbeal Livres

This book addresses questions surrounding the constructions of space, culture, society, identity and representation. The geography of cinema extends beyond the screen, director and audience, to include the wider industrial and political complex of the cultural economy. In this sense, culture can be viewed as an economic commodity set within the broader frame of globalization and postmodernism. A cinematic world occupies a territory between our city’s streets, the Cineplex, the TV set, and our geographical imagination and identity. These contexts invite inquiries into the production, distribution, exhibition, and consumption of film as well as global cinema, hapticalities of viewing, critical political economies, and cinematic ethnographies. This collection provides unique and eclectic insights into the exciting and emerging subfield of film geography.

By exploring the intersection of geographic and cartographic history with film theory, this book delves into how technological and cultural transformations influenced the development of cameras and cinema. It offers a unique perspective on how these fields intertwine, shedding light on the evolution of visual representation and its impact on our understanding of space and storytelling.

Cartography is one of the oldest forms of media. With cartography and media, meaning, ideology, and power are habitually arbitrated across and through space and time. Media has an underlying mapping impulse – a proclivity to comprehend itself and be rendered comprehensible through metaphors of topologies, networks, and flows that lead to the constant evacuation of spaces in order to produce places of communication. Both media and cartography are never static, but instead, are ongoing scopic and discursive regimes that continually make and remake how we understand and interact with our world. Developments in mobile computing have not only increased the pace, flow, and interaction of media across space, but also the ubiquity, and thus the taken-for-grantedness, of mapping. Owing to the practices of the neogeographers of the Geoweb, media requires geographical situatedness in which and for which media can take place. Media's Mapping Impulse is an interdisciplinary collection that explores the relationship between cartography, geospatial technologies, and locative media on the one hand, and new and traditional media forms such as social media, mobile apps, and film on the other.