Stock taking of organisational forms, methodologies, intentions, themes and aesthetic form of Theatre for Development in Tanzania 1980 to 2002. In spite of the w2idely criticized dependency on funding organisations, Theatre for Development is still a vibrant form of theatre in Tanzania. The aesthetic forms of expression and dramaturgical characteristic make it a genuine artistic genre of its own, while the inherent contradictions of ideal form and pragmatics form part of its dynamic.
