Eamon Maher Livres

French writers and intellectuals were to the forefront when it came to theorizing the concepts of modernity and postmodernity, and thus such a theme was considered appropriate for this, the second volume in the Studies in Franco-Irish Relations series. The postmodern Irish socio-cultural paradigm is interrogated through the lens of French thought. What is equally interesting is that Irish contexts can also help shed light on the French situation as the processes of secularisation and multicultural diversity, part of the French experience since the 1950s, begin to take root in a society that has become one of the most globalised in the Western world. The interchange and dialogue between the two cultures throws up a panoply of insights that have the capacity to be enriching for both societies.

Reinventing Ireland Through a French Prism explores concepts of Irish history, literature, culture and social development by subjecting them to a French perspective. Instead of using the monofocal lens that examines the effects of colonisation and postcolonialisation and Ireland’s problematic relationship with Britain, this book analyses Ireland in the context of the role the country has played in the broader European context, with particular reference to France. The book contains contributions in English and French. Comme le dit Michel Déon dans sa Préface : « Ces deux pays, l’Irlande avec sa diaspora si puissante, la France avec l’étendue des territoires restés francophones, représentent dans le monde actuel deux havres de paix qui ne souffrent d’aucun malentendu historique et ne peuvent que s’enrichir en se parlant, en s’écrivant en s’écoutant. »

A heartwarming debut that continues the story of the hit RTE TV series Pure Mule, which captured the whole world in one small Irish town.

Some pencil annotations and markings throughout, very minor wear otherwise.

Focusing on the cultural shift in Ireland, this collection of essays explores the gradual dismantling of the nation's deep-rooted Catholic attachment over the last forty years. It offers insightful perspectives on the societal changes and challenges that have shaped contemporary Irish identity, making it a compelling read for those interested in religion, culture, and social evolution in Ireland.

This book of essays will appeal to anyone interested in the dismantling of Ireland's cultural attachment to Catholicism over the past four decades. -- .

This collection of essays explores the concept of patrimoine , a French word used to denote cultural heritage, traditional customs and practices – the Gaelic equivalent is dúchas – and the extent to which it impacts on France and Ireland. Borrowing from disciplines as varied as sociology, cultural theory, literature, marketing, theology, history, musicology and business, the contributors to the volume unearth interesting manifestations of how patrimoine resonates across cultural divides and bestows uniqueness and specificity on countries and societies, sometimes in a subliminal manner. Issues covered include debt as heritage, Guinness as a cultural icon of «Irishness», faith-based tourism, the Huguenot heritage in Ireland, Irish musical inheritances since Independence, Skellig Michael and the commodification of Irish culture. With a Foreword by His Excellency M. Stéphane Crouzat, French Ambassador to Ireland, this collection breaks new ground in assessing the close links between France and Ireland, links that will become all the more important in light of the United Kingdom’s withdrawal from the European Union.

The Reimagining Ireland series will soon have one hundred volumes in print; this book brings together a selection of essays from the first fifty volumes, chosen to give a flavour of the diversity of the series. It showcases the work of a talented array of established and emerging scholars currently working in Irish Studies.

Strong cultural, commercial, literary and intellectual links have existed for many centuries between the Celtic cousins France and Ireland and continue to flourish today. This book explores some of the connections that have been forged over space and time by groups and individuals travelling between the two countries. Covering subjects as varied as travel literature, music, philosophy, wine production, photography and consumer culture, and spanning the seventeenth through to the twenty-first centuries, the collection draws attention to the rich tapestry of interconnections and associations which confirm this unique and mutually beneficial friendship. The book examines the role of figures such as Boullaye-le-Gouz, Coquebert de Montbret, Sydney Owenson, Alain de Lille, Augusta Holmes, Alain Badiou, Wolfe Tone, Jacques Rancière, the ‘Wine Geese’, the O’Kelly family, Marguerite Mespoulet, Madeleine Mignon, Jules Verne, Hector Malot, Harry Clifton, John McGahern, Maurice Merleau-Ponty, Kate O’Brien, John Broderick, Brian Moore and François Mauriac. The essays will appeal to both academic and general readers and to anyone with an interest in Franco-Irish relations.

Catholicism has played a central role in Irish society for centuries. It is sometimes perceived in a negative light, being associated with repression, antiquated morality and a warped view of sexuality. However, there are also the positive aspects that Catholicism brought to bear on Irish culture, such as the beauty of its rituals, education and health care, or concern for the poor and the underprivileged. Whatever their experience of Catholicism, writers of a certain generation could not escape its impact on their lives, an impact which is pervasive in the literature they produced. This study, containing twelve chapters written by a range of distinguished literary experts and emerging scholars, explores in a systematic manner the cross-fertilisation between Catholicism and Irish/Irish-American literature written in English. The figures addressed in the book include James Joyce, Maud Gonne, Constance Markievicz, Kate O’Brien, Edwin O’Connor, Brian Moore, John McGahern, Seamus Heaney, Paul Durcan, Vincent Carroll and Brian Friel. This book will serve to underline the complex relationship between creative writers and the once all-powerful religious Establishment.