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Elisabetta Cecconi

    Who chose this face for me?
    The language of defendants in the 17th-century English courtroom
    • This volume analyses the defence system in the 17th-century English courtroom and sees how defendants attempted to construct their discourse identity and articulate their defence in the arraignment section and in the evidence phase of the trial. Drawing upon theories from socio-pragmatics and (critical) discourse analysis the book investigates the complex face-work dynamics operating between defendants and professionals/witnesses, the main defence strategies adopted in the evidence phase and – at the author-readership discourse level – the way in which Royalist defendants were represented in Royalist accounts in the turbulent years of the Civil War. The author draws on a rich variety of trial texts: from high treason to religious subversion, from murder to felony and misdemeanour. In each case the defendant’s discourse behaviour is scrutinised in relation to historical, socio-cultural and institutional variables. In its double focus on the defendants’ interactional role in the trial and their representation in Royalist accounts, the book offers a valuable reading for historical courtroom linguists, legal historians and researchers in the field of language, ideology and political propaganda in the early modern period.

      The language of defendants in the 17th-century English courtroom
    • Who chose this face for me?

      • 221pages
      • 8 heures de lecture

      This book investigates the process of characterisation of secondary figures in Joyce’s Ulysses. Drawing on theories from stylistics, pragmatics and narratology, this study explores the linguistic/literary interface of Joyce’s novel focusing on the author’s orchestration of different textual cues for presenting secondary characters as miniature examples of human complexity. Although grounded on solid theoretical bases and supported by sound methodological suggestions, this work provides the reader with a number of practical examples of character analysis which can be applied to any work of prose fiction. The characters selected for analysis are Buck Mulligan, Simon Dedalus, Mrs Breen and Milly Bloom. The thorough account of their textual characterisation uncovers the colourful individualities of Joyce’s minor figures and reveals their intriguing potential for the contemporary reader.

      Who chose this face for me?