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Michael Stevenson

    Art of the eighties and seventies
    Dreams Never End
    Michael Stevenson
    • In 1971, the Shah of Iran held a week-long party among the ruins of Persepolis, leaving the temporary architecture behind when the celebration was done. For Art Basel 2008, "anthropologist of the avant-garde" Michael Stevenson reconstructed one of the guest tents, now a ruin itself, at scale. That project is expanded upon here.

      Michael Stevenson
    • Dreams Never End

      • 132pages
      • 5 heures de lecture

      Exploring the interplay between dreams and the vastness of deserts, this narrative delves into the subconscious, revealing how the arid landscapes shape the characters' inner lives. The story weaves a tapestry of vivid imagery and profound introspection, inviting readers to reflect on the significance of dreams as both a refuge and a source of inspiration. Through the harsh yet beautiful desert setting, themes of isolation, self-discovery, and the quest for meaning emerge, creating a compelling exploration of the human experience.

      Dreams Never End