Alessandra Pace Livres

The Berlin-based American artist Hannah Dougherty's strong, evocative paintings, collages and installations are characterized by a dreamy, mythological feel, as much from her distinctive palette as from her retro, hybrid figures, which take their inspiration from children's book illustrations, comic strips and 1950s advertisements, with a little bit of Dürer and old school Encyclopedia Brittanica thrown in. In her recent Berlin installation, The Gartenhaus Project , Dougherty glued handwritten notes and scraps of paper like a 1939 Berlin butcher's bill and a Japanese train schedule to her paintings, mostly upside-down, so that they functioned as barely legible memorabilia. She also created a kind of "theater set" representation of an Arcadian suburb, complete with dramatic twilight-evoking spotlights, kitschy prefabricated garden houses, pots of artificial flowers, stuffed fox and deer, and prop-like, anthropomorphized wooden birdhouses--much more sinister than jolly, like dark little garden gnomes. This volume documents The Gartenhaus Project in full.

Everybody has heard of human rights. But what are human rights, where do they originate and what do they mean? This book answers these questions, offering a multifaceted introduction to legal philosophy. The 1948 Universal Declaration of Human Rights provides the frame for engaging with western legal philosophy across the ages.

An Israel special Forces Commander on the front line of Counterterrorism.