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Robin Andersen

    Le travail de Robin Andersen explore la relation complexe entre les médias et la société, en particulier sous l'angle des études en communication et médias. Auteure prolifique, elle examine la critique des médias dans diverses publications, offrant des perspectives pointues sur les enjeux contemporains. Ses recherches explorent les liens historiques et actuels entre les récits médiatiques et les conflits mondiaux. Andersen contribue également au développement académique, ayant joué un rôle clé dans l'élaboration d'un programme de troisième cycle axé sur l'action humanitaire.

    A century of Media, a century of war
    Critical Studies in Media Commercialism
    • Critical Studies in Media Commercialism

      • 352pages
      • 13 heures de lecture
      4,4(5)Évaluer

      Examining the intricate landscape of media commercialism, this collection of essays addresses the influence of corporate media giants and the pervasive effects of advertising on various societal aspects, including politics and individual behavior. It offers a thorough critique that highlights both the far-reaching impact and inherent limitations of media commercialism in contemporary society, making it a valuable resource for understanding the complexities of modern media dynamics.

      Critical Studies in Media Commercialism
    • A century of Media, a century of war

      • 350pages
      • 13 heures de lecture
      3,6(8)Évaluer

      Forged over the course of a century, the connections between war and media run long and deep. As this book reveals, the history of war and its telling has been a battle over public perception. The selection of which stories are told and which are ignored helps justify past battles and ensure future wars. Narratives of protest and pain, defeat and suffering, guilt and abuse struggle to be heard amid the empowering myths of war and heroism. As Robin Andersen argues, the history of struggle between war and its representation has changed the way war is fought and the way we tell the stories of war. Information management, once called censorship and propaganda, has developed in tandem with new media technologies. Now, digital imaging creates virtual battlefields as computer-based technologies transform the weapons of war. Along the way, images on the nightly news, on movie screens, and in video games have turned war into entertainment. In the grip of virtual war, it is difficult to realize the loss of compassion or the consequences for democracy.

      A century of Media, a century of war