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Gretchen Martin

    The frontier roots of American realism
    Dancing on the Color Line
    • Dancing on the Color Line

      African American Tricksters in Nineteenth-Century American Literature

      • 208pages
      • 8 heures de lecture
      5,0(2)Évaluer

      The book explores the significant impact of slave culture and black folklore on the works of prominent African American authors like Ralph Ellison and Toni Morrison. It highlights how these creative traditions have shaped their narratives and themes. Additionally, the text addresses a gap in scholarship by examining how white authors have incorporated black aesthetic techniques into their writing, shedding light on a less-discussed aspect of literary influence and cultural exchange.

      Dancing on the Color Line
    • The frontier roots of American realism

      • 136pages
      • 5 heures de lecture

      In the antebellum South, the «plain folk» maintained social norms, ideals of honor, justice, gender, and liberty that were significantly distinct from town and planter gentility, and the humorists of the Old South captured this important distinction. Southwest humor flourished from the 1830s through the Civil War and this book provides a thorough investigation of the unique and innovative contributions of these humorists to the field of American literary realism, such as use of vernacular authenticity, complex character portraits, and the narrative technique of disclosure. Thus, when the Southwest humorists «tell about the South, » they provide an endlessly entertaining and realistic representation of the vast complexities of the antebellum South and illustrate that the roots of literary realism were sown and nurtured on the southwestern frontier.

      The frontier roots of American realism