Recent world events have dramatically altered the cultural identity of airports. Where once they connoted excitement--the prospect of flight, remote destinations, encounters-- today airports are loaded with very different associations and anticipations. Armed police officers, safety regulations and restrictions only heighten our feelings of insecurity. Roissy Charles de Gaulle Airport has always been a special place for the Swedish photographer J.H. Engström. At the age of 10, he moved to Paris with his parents, and Charles de Gaulle was his first contact with a world beyond his native Sweden. The relocation created an intense relationship to the city of Paris, as well as to the Charles de Gaulle and airports in general. For the project CDG/JHE, Engström spent three weeks isolated in an airport hotel, photographing in and between the terminals. The airport became a place to observe public behavioral habits at a crucial juncture in its brief history.
Jan Henrik Engström Livres



"The pictures in this book came about during two separate stays in Brussels, arranged by the Contretype photo center, one in the summer of 2003, the other in the spring of 2006. ... the idea is to offer the artist some time for reflection upon his work in general and its possible further developments. ... The results of his work are in no way subject to any particular demands, provided that they adhere to the normal limitations and regulations of society. ... The other part of the project is a specific view of the production site, the city of Brussels. ... In photography, JH Engström isn't trying to explain, but rather to render a profound experience of the absurdity of the human condition. These images moves us into a disquieting part of ourselves: our solitude on earth. Jean-Louis Godefroid, Director, Espace Photographique Contretyp"--Prelim.
Haunts
- 250pages
- 9 heures de lecture