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Vladimir Biti

    Cet auteur explore les liens complexes entre la littérature, la théorie et la culture. Son œuvre navigue dans les profondeurs de la narration, examinant comment les textes construisent et interrogent les récits, et explorant le thème de la 'domestication de l'autre'. À travers un cadre théorique rigoureux et une profonde compréhension des traditions littéraires, il offre de nouvelles perspectives sur la manière dont les textes révèlent des significations cachées et façonnent notre compréhension de l'histoire et de l'identité. Son approche se caractérise par une analyse méticuleuse et des aperçus pénétrants de ce qui rend la littérature pertinente.

    Pojmovnik suvremene književne i kulturne teorije
    Deutschland und Europa auf der Suche nach neuer Gestalt
    Literatur- und Kulturtheorie
    Tracing global democracy
    Post-imperial Literature
    • Post-imperial Literature

      Translatio Imperii in Kafka and Coetzee

      • 276pages
      • 10 heures de lecture

      Focusing on the traumatic aftermath of the dissolution of East-Central European and West European empires, the book explores transnational literary alliances through the works of Franz Kafka and J.M. Coetzee. It analyzes how Kafka represents the transition from sovereign to disciplinary governance, while Coetzee reflects the shift from colonial assimilation to regeneration. Through close readings, the text reveals how both authors respond to the reconfiguration of power relations in their narratives, highlighting the instability of post-imperial literature and the loss of transcendental guarantees in human experience.

      Post-imperial Literature
    • Tracing global democracy

      Literature, Theory, and the Politics of Trauma

      • 403pages
      • 15 heures de lecture

      Focused on the recently hotly debated topic at the crossroads of various human and social sciences, this book investigates the emergence of the cosmopolitan idea of literature and its impact on the reconfiguration of the European and non-European political spaces. The birthplace of this idea is its designers’ traumatic experience as induced by the disconcerting condition of their abode. The thesis is that the eighteenth and nineteenth century’s cosmopolitan projects that grow out of such deep frustrations trace the twentieth century’s global democracy. This hidden origin of cosmopolitan projects dismantles the usual European representation of modernization as universal progress as myopic. Rather than being a generous action of prominent subjects such as Voltaire, Kant, and Goethe, or Bakhtin, Derrida and Deleuze, cosmopolitanism is an enforced reaction of the instances dispossessed by injury that search for the ways of healing it. Yet as soon as their remedy establishes itself as the ground for universal reconciliation, it risks suppressing other’s trauma, i. e. turns from politics into a police. Articulating the author’s position in the recent debates on the structure of democracy, the epilogue suggests an alternative strategy.

      Tracing global democracy