Maria Lind Livres

Die schwedische Künstlerin Marie-Louise Ekman zeigt neben einer neuen umfangreichen Werkreihe von Gemälden etwa 200 Arbeiten aus Schaffensphasen ab den späten 1960er-Jahren. In ganz eigener Bildsprache setzt sie oftmals feste Figurenkonstellationen in Szene und unterzieht sie einer graduellen Verschiebung von Beziehungs- und Rollenmustern. Das Theater dient ihr als immer wiederkehrende Metapher. Ekmans teils auf persönlicher Erfahrung beruhende Bilder decken Absurditäten des Alltags auf und unterminieren gesellschaftliche Konstruktionen. Es ist die erste Überblicksschau seit 1998, die ihrem gesamten Œuvre gewidmet ist. Ebenso wie die Künstlerin selbst zwischen wechselseitig aufeinander wirkenden Ausdrucksformen der bildenden und darstellenden Kunst pendelt, werden auch Marie-Louise Ekmans Film- und Bühnenwerke als zentrale Elemente in die Ausstellung einbezogen.

Seven years in twenty-first century contemporary art, as seen in a series of columns by curator and writer Maria Lind. Seven Years offers a subjective chronicle of contemporary art during the second decade of the twenty-first century, seen through a series of columns by curator, writer, and educator Maria Lind. Writing for the print edition of ArtReview , Lind considers individual artworks and exhibitions and contributes to conversations and debates developing in the art world and beyond. She explores work by Haegue Yang, Hassan Khan, Uglycute, Tania Perez-Cordova, and Walid Raad, among others, and discusses such exhibitions as dOCUMENTA (13), the Sharjah Biennial 12, the 3rd Ural Industrial Biennial, and several editions of the Venice Biennale. Lind's writings are accompanied by other artists Goldin+Senneby discuss Lind's materialist approach through the use of the word “hand” in the introduction to the volume; Sofía Hernández Chong Cuy reflects on how writing can affect curatorial work, and vice versa; artist Ahmet Öğüt conducts an imagined interview with Lind; and Philippe Parreno weaves a summary of the years between 2010 and 2018, highlighting the notion of potentiality. A postscript by Lind's fellow curator Joanna Warsza compiles a glossary of the book's key ideas and terms. Contributors Goldin+Senneby, Sofía Hernández Chong Cuy, Ahmet Öğüt, Philippe Parreno, Joanna Warsza

Taking the Matter into Common Hands maps out the issues surrounding collaborative art from a practitioner's perspective. With contributions from Marion von Osten, Nav Haq, 16 Beaver, Copenhagen Free University, Maria Lind and Lars Nilsson, it examines the working relations between artists and other producers of culture, and explores the future of collective action in the art world. In recent years, the art world has shown a renewed interest in collective work and activity. Collaborations between artists and artists, artists and curators, and artists and outside professionals have begun to rival the traditional focus on the individual artist. This type of collaboration has called into question how we view works of art that are not the voice of a single individual, and how that impacts on the concept of art as a means of self-expression.