This book offers a philosophical and media-theoretical exploration of postmodern art-photography within our current visual episteme, highlighting the interconnectedness and mutual influence of these spheres. The analysis employs theoretical frameworks from French poststructuralism, psychoanalysis, and feminism, which are essential in cultural criticism and media studies. A key focus is the extent to which theory (language) can elucidate the visual (photographic images) and how visual elements impact language, such as the light-metaphor of reason. The first part analyzes the writings of Jacques Lacan, Jacques Derrida, and Michel Foucault, emphasizing their relevance to a 'theory' of visuality. The second part addresses feminist theories, particularly the contentious issue of pornography, which serves as a battleground for differing feminist perspectives—some view it as a symbol of patriarchal oppression, while others see it as an expression of freedom and self-control. Part three closely examines Roland Barthes' "Camera Lucida," contextualizing its fragmentary nature within his earlier structuralist phase. Many contemporary critiques borrow from Barthes without recognizing that his work is not a definitive photo theory. Finally, part four connects these theoretical concepts with contemporary art photographers, showcasing a diverse range of photographic aesthetics that resonate with the current visual episteme, ultimately il
