Morris West explore de manière magistrale l'interaction complexe de la foi, du pouvoir et de la conscience, plaçant souvent ses récits dans le creuset des arènes religieuses et politiques. Son écriture se distingue par une profonde perspicacité psychologique de la condition humaine et des dilemmes moraux auxquels les individus sont confrontés. West se penche sur les luttes intérieures et les pressions externes qui façonnent le destin de ses personnages. S'appuyant sur une vaste expérience acquise dans les cercles religieux et diplomatiques, ses romans offrent une lecture profondément humaine et stimulante.
Participant à la fois de l'anticipation à court terme (vers la fin du XXe siècle) et de la politique-fiction (le Pape a dû abdiquer à la suite d'une révélation de la fin des temps), ce seizième roman de l'écrivain australien conserve un ton plausible. Par ailleurs, pas plus que chez Graham Greene à qui on l'a souvent comparé, il n'y a d'emphase religieuse ou d'esquisses ou d'esquives moralisantes, quoique le sujet s'y prête. Le message inhérent joue non par autorité (d'auteurs) mais par influence (provenant du for intérieur du lecteur). Réflexif.
The Lovers-- Bryan Cavanagh joins the crew of a wealthy American's yacht on, ostensibly, a pleasure cruise for the American and his young bride, a Principessa from a pre-Renaissance family.
John Spada publicly runs an enormous multi-national corporation, privately he heads Proteus, a clandestine resistance movement. His aim is to free prisoners of conscience wherever they may be. As the story unfolds, Spada himself becomes an outlaw, and holds the world hostage.
A Russian - and the youngest cardinal of all - is elected as the new pope. This is the story of Kiril Lakota, a cardinal who reluctantly steps out from behind the Iron Curtain to lead the Catholic Church and to grapple with the many issues facing the contemporary world.
The code name: SALAMANDER Forged in the flames of war. A symbol of courage and justice. The mark of the final power. An Italian general is found dead in his apartment, a card engraved with the image of the Salamander lying by his corpse. Colonel Matucci begins the routine investigation, only to find himself catapulted into the centre of a desperate web of political violence and intrigue. As he digs deeper, he is faced with an agonising choice: how much is he prepared to pay to survive - his lover... his conscience... or more?
Reissue of the renowned Australian author's thriller about the twin evils of murder and greed. Set in Asia. First published under the pen-name Michael East in 1958 and reissued under real name in 1973 as TThe Concubine'.
The World is Made of Glass is a novel about one man and three women in a conflict that explores the fine line between love and hate, good and evil, fantasy and reality. The narrative is founded on fact: a case history recorded in the autobiography of Carl Gustav Jung. His account is brief and curiously cryptic: "A lady came to my office. She refused to give her name... what she had to communicate to me was a confession." Morris West's version of the encounter is a fascinating blend of truth and dramatic speculation. The events cover the golden time of the Belle Epoque, right up to the twilight year 1913, before the lights went out over Europe and the First World War began. This was a year of crisis for Jung. He was estranged from his old friend and master, Freud. His wife was pregnant with their fifth child. He had begun a love-affair with his one-time pupil Toni Wolff and, to cap it all, he was already suffering from a manic depressive illness that was to last four years. Jung and the unnamed woman who came seeking his help are two destinies on a collision course. The World is Made of Glass may well be judged to be Morris West's masterwork.
