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John Boardman

    20 août 1927 – 23 mai 2024
    John Boardman
    The History of Greek Vases
    The Parthenon and Its Sculptures
    Greek Gems and Finger Rings: Early Bronze to Late Classical
    Northern Pontic antiquities in the State Hermitage Museum
    Athenian Red Figure Vases. The Classical Period
    Athenian Black Figure Vases. A Handbook
    • Athenian Black Figure Vases. A Handbook

      • 252pages
      • 9 heures de lecture
      5,0(1)Évaluer

      "Will undoubtedly become a standard work of reference."― Journal of Hellenic Studies Athenian black figure vases bear the work of consummate artists like Exekias, who depicted on them scenes of myth and everyday life that deepen our knowledge and understanding of Greek antiquity. John Boardman enables the reader to study the many aspects of the vases, and to grasp the essential style of a painter or group of painters, without having to consult a number of expensive, and not always easily accessible, publications. A final section is devoted to the mythological scenes and other decorative features of the vases. 385 black-and-white illustrations

      Athenian Black Figure Vases. A Handbook
    • This volume, written by staff of the State Hermitage, one of the world's finest museums, publishes Graeco-Roman antiquities kept there. Much of the material has been unearthed during the museum's field projects in Berezan, Myrmekion and Nymphaeum. Many items are published here for the first time. In addition, there are new studies and reinterpretations of well-known material. The book also contains reviews and notes on new publications on the Black Sea from Eastern and Western Europe and North America. The volume provides a good account of the manifold activities in which the staff of the Department of the History and Culture of the Ancient World, and of the Hermitage in general, are engaged. The book is very richly illustrated, with nearly 150 photographs, line drawings, maps etc.

      Northern Pontic antiquities in the State Hermitage Museum
    • Focusing on the miniaturist art of gem engraving in ancient Greece, this comprehensive account spans from the early Bronze Age to the Hellenistic period. It explores the historical context and artistic connections of engravings, revealing new insights into Greek myth and ichnography. The book details the evolution of studios in the Minoan and Mycenaean eras and categorizes Classical gem engraving by style and school, including a chapter on Greek works in the Persian Empire. Enhanced by enlarged plates, this revised edition serves as a vital reference for scholars and enthusiasts of Greek art.

      Greek Gems and Finger Rings: Early Bronze to Late Classical
    • In this book, the most powerful and the most moving scenes and fragments from this monumental body of work are displayed. The spirit of the time in which these works were produced, their meaning for the citizens of Athens, the methods by which they were made, the fine points of technique and illusion they conceal, the historical background, and the message contained in the myths they portray are some of the topics covered in the narrative introduction.

      The Parthenon and Its Sculptures
    • The History of Greek Vases

      • 320pages
      • 12 heures de lecture
      4,1(59)Évaluer

      Offering a survey of Greek vases, this book sketches their stylistic history. It explores the process of identifying artists; the methods of making and decorating the vases and the problems in doing so; the life of the potter; the pots' dissemination beyond Greece; and their functions in life, cult and as messengers of style and subject.

      The History of Greek Vases
    • The Oxford History of the Classical World

      • 454pages
      • 16 heures de lecture
      3,8(25)Évaluer

      Written by a team of distinguished scholars these volumes offer a comprehensive view of the Graeco-Roman world, its history and achievements. With over 250 illustrations and with extensive reference material.

      The Oxford History of the Classical World
    • "Authoritative and brilliantly illustrated. . . . The book recommends itself not only for its synthesis of existing knowledge, but also for its original ideas." ― The Daily Telegraph For most people there is no more satisfying expression of Greek art than its sculpture. It was the first, the only ancient art to break free from conceptual conventions for representing men and animals, and to explore consciously how art might imitate or even improve upon it. The first stages of this discovery, from the semi-abstract beginnings in the eighth century BC to the more representational art of the early fifth century, are explored and illustrated in this handbook.

      Greek sculpture: the archaic period: a handbook