Visual Time
- 224pages
- 8 heures de lecture
Examining the notion of time in art history, Keith Moxey argues that looking at a work of art creates an experience of time for the viewer distinct from the work's place in the history of art.



Examining the notion of time in art history, Keith Moxey argues that looking at a work of art creates an experience of time for the viewer distinct from the work's place in the history of art.
Many art historians regard poststructuralist theory with suspicion; some even see its focus on the political dimension of language as hostile to an authentic study of the past. Keith Moxey bridges the gap between historical and theoretical...
In Peasants, Warriors, and Wives, Keith Moxey examines woodcut images from the German Reformation that have often been ignored as a crude and inferior form of artistic production. In this richly illustrated study, Moxey argues that while they may not satisfy received notions of "art," they nevertheless constitute an important dimension of the visual culture of the period. Far from being manifestations of universal public opinion, as a cursory acquaintance with their subject matter might suggest, such prints were the means by which the reformed attitudes of the middle and upper classes were disseminated to a broad popular audience.