Martin Krenn and Aisling O'Beirn team up to explore untold and lesser-known narratives about the recent conflict in Northern Ireland through an artistic engagement with the legacies of Long Kesh/Maze, a former high-security prison located southwest of Belfast. In order to explore the future of the prison, the artists initiated a collaborative social sculpture by working with a broad range of people who were affected by it in different ways. The project asks how perceptions of the prison might be transformed, with a view to positively engaging with the complex realities of its past. 00While the focus of 'Restaging the Object: A Participatory Exploration of Long Kesh/Maze Prison' is on a legacy issue relating to the conflict in the North of Ireland the book will be of particular interest to anyone concerned with questions addressing contentious cultural heritage, as the project reveals how creative methods can be found to work with affected communities to address difficult topics, sites, and materials. The publication is unique in that it brings together a range of disciplines such as contemporary dialogical art, photography, art theory, archaeology, anthropology and cultural heritage studies to address this difficult issue on a human level
Martin Krenn Livres






How can art change society? What aesthetic quality does dialog bring to art? What is the role of autonomy in dialogical art? Dialogical Interventions investigates how dialogical art moves between the poles of social engagement, aesthetic autonomy and social change. Essays by international authors and interviews with socially and politically engaged artists and collectives focus on the relevance of dialogical and interventionist practices and their role in mediating new forms of knowledge and experience through art, thus opening up new prospects for this exciting arena of activity. Between the individual texts, artist insertions document social artistic practices on a visual level. Essays by: Mary Jane Jacob, Boris Groys, Suzana Milevska, Barbara Putz-Plecko, Martin Krenn Interviews with: Gerald Bast, Aisling O’Beirn, Gluklya, Renate Höllwart, Elke Smodics (trafo. K), Florian Malzacher, Alastair McLennan, Christina Varvia (Forensic Architecture), Selda Asal Projects/Interviews by: Liliane-Sarah Kölbl, Cornelia Kolmann, Nora Licka, Nina Kugler, Lea Jank, Ariana Joya Mc Manus, Shobha Untersteiner, Tanja Happel, Rosie Benn, Marius Fischer, Johanna Folkmann, Eve Sherl
City Views bietet Einblicke in verschiedene europäische Städte, die Martin Krenn in Kooperation mit dort lebenden StadtbewohnerInnen mit migrantischem Hintergrund entwickelt hat. In der Foto-Text-Serie werden verschiedene Sichtweisen auf die jeweils untersuchten Städte zueinander in Beziehung gesetzt. Im Blickfeld stehen die spezifisch sozialen, kulturellen und politischen Verhältnisse von urbanen Orten, an welchen MigrantInnen(gruppen) agieren.
DEMOKRATIEPLATTFORM PLATZ_NEHMEN
Beiträge über Kunst, zivilgesellschaftliches Engagement und die Aneignung von urbanem Raum
Zeugen des Untergangs
Ego-Dokumente zur Geschichte des Ersten Weltkriegs im Österreichischen Staatsarchiv
- 275pages
- 10 heures de lecture
Das Österreichische Staatsarchiv verwahrt die größte Sammlung persönlicher Schriftennachlässe des Landes. „Ego-Dokumente" (Memoiren, Tagebücher, persönliche Korrespondenzen und zunehmend Privatfotografien) von Staatsmännern, Diplomaten, Militärs und Beamten, aber auch von weniger prominenten Akteuren und Zeitzeugen ergänzen und bereichern unser Geschichtsbild ganz entscheidend. Rechtzeitig zum 100. Jahrestag des Kriegsausbruchs 1914 macht der von Martin Krenn und Michael Hochedlinger erarbeitete neueste MÖStA-Inventarband die Forschung auf einschlägige Quellenschätze in über 700 Personennachlässen des Staatsarchivs aufmerksam.