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  • 13 heures de lecture

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A dark classic of Russia's silver age, this blackly funny novel recounts a schoolteacher's descent into sadism, arson and murder. Mad, lascivious, sadistic and ridiculous, the provincial schoolteacher Peredonov torments his students and has hallucinatory fantasies about acts of savagery and degradation, yet to everyone else he is an upstanding member of society. As he pursues the idea of marrying to gain promotion, he descends into paranoia, sexual perversion, arson, torture and murder. Sologub's anti-hero is one of the great comic monsters of twentieth-century fiction, subsequently lending his name to the brand of sado-masochism known as Peredonovism. <i>The Little Demon</i> (1907) made an immediate star of its author who, refuting suggestions that the work was autobiographical, stated 'No, my dear contemporaries ... it is about you'. This grotesque mirror of a spiritually bankrupt society is arguably the finest Russian novel to have come out of the Symbolist movement.

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Een kleine demon, Charles Bernard Timmer, Fjodor Sologoeb, FYODOR SOLOGUB

Langue
Année de publication
1978
Reliure
(souple)
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Titre
Een kleine demon
Sous-titre
Roman
Langue
Néerlandais
Éditeur
Meulenhoff
Publié
1978
Format
souple
Pages
358
ISBN10
9029001429
ISBN13
9789029001427
Séries
Description
A dark classic of Russia's silver age, this blackly funny novel recounts a schoolteacher's descent into sadism, arson and murder. Mad, lascivious, sadistic and ridiculous, the provincial schoolteacher Peredonov torments his students and has hallucinatory fantasies about acts of savagery and degradation, yet to everyone else he is an upstanding member of society. As he pursues the idea of marrying to gain promotion, he descends into paranoia, sexual perversion, arson, torture and murder. Sologub's anti-hero is one of the great comic monsters of twentieth-century fiction, subsequently lending his name to the brand of sado-masochism known as Peredonovism. <i>The Little Demon</i> (1907) made an immediate star of its author who, refuting suggestions that the work was autobiographical, stated 'No, my dear contemporaries ... it is about you'. This grotesque mirror of a spiritually bankrupt society is arguably the finest Russian novel to have come out of the Symbolist movement.