Paramètres
- 55pages
- 2 heures de lecture
En savoir plus sur le livre
One overcast weekend in October 1974, Georges Perec set out in quest of the "infraordinary": the humdrum, the non-event, the everyday--"what happens," as he put it, "when nothing happens." His choice of locale was Place Saint-Sulpice, where, ensconced behind first one cafe window, then another, he spent three days recording everything to pass through his field of vision: the people walking by; the buses and driving-school cars caught in their routes; the pigeons moving suddenly en masse; a wedding (and then a funeral) at the church in the center of the square; the signs, symbols and slogans littering everything; and the darkness that finally absorbs it all. In <i>An Attempt at Exhausting a Place in Paris</i>, Perec compiled a melancholic, slightly eerie and oddly touching document in which existence boils down to rhythm, writing turns into time and the line between the empirical and the surreal grows surprisingly thin.
Achat du livre
An Attempt at Exhausting a Place in Paris, Georges Perec, Marc Lowenthal
- Langue
- Année de publication
- 2010
- Reliure
- (souple),
- État du livre
- Très bon
- Prix
- 14,49 €
Modes de paiement
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- Titre
- An Attempt at Exhausting a Place in Paris
- Langue
- Anglais
- Auteurs
- Georges Perec, Marc Lowenthal
- Éditeur
- Wakefield Press
- Publié
- 2010
- Format
- souple
- Pages
- 55
- ISBN10
- 0984115528
- ISBN13
- 9780984115525
- Séries
- Mots clés
- Nonfiction, Fiction, Poésie, Classiques, France, Presse d'opinion & Essais, Littérature française, Vie, Paris (ville), Europe de l'Ouest
- Description
- One overcast weekend in October 1974, Georges Perec set out in quest of the "infraordinary": the humdrum, the non-event, the everyday--"what happens," as he put it, "when nothing happens." His choice of locale was Place Saint-Sulpice, where, ensconced behind first one cafe window, then another, he spent three days recording everything to pass through his field of vision: the people walking by; the buses and driving-school cars caught in their routes; the pigeons moving suddenly en masse; a wedding (and then a funeral) at the church in the center of the square; the signs, symbols and slogans littering everything; and the darkness that finally absorbs it all. In <i>An Attempt at Exhausting a Place in Paris</i>, Perec compiled a melancholic, slightly eerie and oddly touching document in which existence boils down to rhythm, writing turns into time and the line between the empirical and the surreal grows surprisingly thin.