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- 176pages
- 7 heures de lecture
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Born in Moscow, Wladimir Kaminer emigrated to Berlin in the early '90s when he was 22. Russian Disco is a series of short and comic autobiographical vignettes about life among the émigrés in the explosive and extraordinary multi-cultural atmosphere of '90s Berlin. It's an exotic, vodka-fuelled millennial Goodbye to Berlin. The stories show a wonderful, innocent, deadpan economy of style reminiscent of the great humorists. [Several of his European editors make a comparison with current bestseller David Sedaris.] Kaminer manages to say a great deal without seeming to say much at all. He speaks about the offbeat personal events of his own life but captures something universal about our disjointed times.
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Russian Disco, Wladimir Kaminer
- Langue
- Année de publication
- 2002
- product-detail.submit-box.info.binding
- (souple)
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- Titre
- Russian Disco
- Langue
- Anglais
- Auteurs
- Wladimir Kaminer
- Éditeur
- Ebury Press
- Publié
- 2002
- Format
- souple
- Pages
- 176
- ISBN10
- 0091886694
- ISBN13
- 9780091886691
- Séries
- Mots clés
- Fiction, Humour, Famille, Littérature contemporaine, Nouvelles, Littérature allemande, Allemagne, Histoires, Russie, Berlin, Culture, Vie quotidienne, Migration, Moscou, Intégration, Nouvelles humoristiques, Immigrants, Russes
- Première publication
- 2000
- Titre original
- Russendisko
- Évaluation
- 3,35 sur 5
- Description
- Born in Moscow, Wladimir Kaminer emigrated to Berlin in the early '90s when he was 22. Russian Disco is a series of short and comic autobiographical vignettes about life among the émigrés in the explosive and extraordinary multi-cultural atmosphere of '90s Berlin. It's an exotic, vodka-fuelled millennial Goodbye to Berlin. The stories show a wonderful, innocent, deadpan economy of style reminiscent of the great humorists. [Several of his European editors make a comparison with current bestseller David Sedaris.] Kaminer manages to say a great deal without seeming to say much at all. He speaks about the offbeat personal events of his own life but captures something universal about our disjointed times.