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For over a decade, Berlin artist Paco Knöller has favored wood panels and cardboard as supports for his drawings. Here we see how the course that the lines and forms take when cut into wood continues to have the effect of his earlier pictorial concepts but allows new graphic pictures to emerge with great innovative power. Schnitte (Cuttings) reproduces for the first time Knöller's new works in bright yellow, red, blue and green.
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Paco Knöller, Schnitte. Plötzliche Gegenwart 1992 - 2002, Alexander Dückers
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- 2002
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