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The New York Review of Books: The First Anthology

30 Years of the New York Review of Books

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  • 345pages
  • 13 heures de lecture

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This anthology marks the first hard-cover collection from The New York Review of Books since its inception in 1963, compiling twenty-three essays from some of the world's finest writers over three decades. The collection features political commentary, including reflections on Vietnam, Dwight Macdonald's visit to President Johnson's 1965 arts festival, and Andrei Sakharov's essay "How I Came to Dissent." Personal narratives include Gore Vidal's portrait of Amelia Earhart, Oliver Sacks's account of a mountain accident, and Primo Levi's memoir of his last Christmas at Auschwitz. Several essays anticipate contemporary issues, such as Elizabeth Hardwick's report on the 1966 Watts riots and Hannah Arendt's "Reflections on Violence," which discusses a century of conflict. Notable essays like Susan Sontag's "On Photography" and Joan Didion's "In El Salvador" later inspired well-known books. Art critiques feature Robert Hughes's take on Andy Warhol and John Richardson's review of a 1980 Picasso retrospective. The anthology also includes literary and musical essays by Robert Lowell on Sylvia Plath, V.S. Pritchett on Balzac, and Igor Stravinsky on Beethoven. W.H. Auden reviews Oliver Sacks's "Migraine," and other contributions evoke figures like Marlene Dietrich and Alexander Herzen, while Joseph Brodsky reflects on his friendship with Nadezhda Mandelstam, and Bruce Chatwin portrays Ernst Junger as a German officer in occupied Paris.

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The New York Review of Books: The First Anthology, Robert B. Silvers, Barbara Epstein, Rea S. Hederman

Langue
Année de publication
1993
Reliure
(rigide),
État du livre
Très bon
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17,39 €

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Titre
The New York Review of Books: The First Anthology
Sous-titre
30 Years of the New York Review of Books
Langue
Anglais
Publié
1993
Format
rigide
Pages
345
ISBN10
0940322013
ISBN13
9780940322011
Séries
Catégories
Description
This anthology marks the first hard-cover collection from The New York Review of Books since its inception in 1963, compiling twenty-three essays from some of the world's finest writers over three decades. The collection features political commentary, including reflections on Vietnam, Dwight Macdonald's visit to President Johnson's 1965 arts festival, and Andrei Sakharov's essay "How I Came to Dissent." Personal narratives include Gore Vidal's portrait of Amelia Earhart, Oliver Sacks's account of a mountain accident, and Primo Levi's memoir of his last Christmas at Auschwitz. Several essays anticipate contemporary issues, such as Elizabeth Hardwick's report on the 1966 Watts riots and Hannah Arendt's "Reflections on Violence," which discusses a century of conflict. Notable essays like Susan Sontag's "On Photography" and Joan Didion's "In El Salvador" later inspired well-known books. Art critiques feature Robert Hughes's take on Andy Warhol and John Richardson's review of a 1980 Picasso retrospective. The anthology also includes literary and musical essays by Robert Lowell on Sylvia Plath, V.S. Pritchett on Balzac, and Igor Stravinsky on Beethoven. W.H. Auden reviews Oliver Sacks's "Migraine," and other contributions evoke figures like Marlene Dietrich and Alexander Herzen, while Joseph Brodsky reflects on his friendship with Nadezhda Mandelstam, and Bruce Chatwin portrays Ernst Junger as a German officer in occupied Paris.