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This thoughtful and engaging monograph finally gives a remarkable artist who bore witness to the twentieth century his due. “Mr. Karpeles, a California-based painter and art critic, has ignited international interest in Czapski’s artwork.” —Wall Street Journal This stunning monograph, a long-overdue critical appraisal of Polish artist Jo´zef Czapski arrives at a moment when the artist’s legacy is gaining new recognition. Within these pages, author Eric Karpeles conveys how making art was so enmeshed with Czapski’s way of seeing and being in the world that it was second nature. Given that he lived into his ninety-seventh year, it’s no surprise that the artist has works dating from every decade of the twentieth century but the first. As witness to the tumultuous events of that century, he found in painting “a refuge and a salvation.” Prolific as a painter, he was equally disciplined in recording the events of his life in pencil, ink, and watercolor in his journals. At a time when abstract art tended to dominate aesthetic discourse, he preferred to observe the world around him, to portray people going about their daily business. Some of his most compelling works depict theatergoers and art lovers doing what they do best—looking.
Achat du livre
Józef Czapski, Eric Karpeles, Wojciech Karpiski
- Langue
- Année de publication
- 2019
- Reliure
- (rigide)
Modes de paiement
Personne n'a encore évalué .
- Titre
- Józef Czapski
- Sous-titre
- An Apprenticeship of Looking
- Langue
- Anglais
- Auteurs
- Eric Karpeles, Wojciech Karpiski
- Éditeur
- Thames & Hudson
- Publié
- 2019
- Format
- rigide
- Pages
- 272
- ISBN10
- 0500023042
- ISBN13
- 9780500023044
- Séries
- Catégories
- Mots clés
- Thème historique, Art, 20e siècle, République tchèque, Peinture (art), Pologne, Artistes, Catalogues, Théorie de l'art, Artiste féminine
- Description
- This thoughtful and engaging monograph finally gives a remarkable artist who bore witness to the twentieth century his due. “Mr. Karpeles, a California-based painter and art critic, has ignited international interest in Czapski’s artwork.” —Wall Street Journal This stunning monograph, a long-overdue critical appraisal of Polish artist Jo´zef Czapski arrives at a moment when the artist’s legacy is gaining new recognition. Within these pages, author Eric Karpeles conveys how making art was so enmeshed with Czapski’s way of seeing and being in the world that it was second nature. Given that he lived into his ninety-seventh year, it’s no surprise that the artist has works dating from every decade of the twentieth century but the first. As witness to the tumultuous events of that century, he found in painting “a refuge and a salvation.” Prolific as a painter, he was equally disciplined in recording the events of his life in pencil, ink, and watercolor in his journals. At a time when abstract art tended to dominate aesthetic discourse, he preferred to observe the world around him, to portray people going about their daily business. Some of his most compelling works depict theatergoers and art lovers doing what they do best—looking.