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An elegant homage to Czech storyteller Bohumil Hrabal, this novel is a tribute to blues music, saxophones, and the complexities of domestic life, while also reflecting on the years of communism in Eastern Europe. It explores the relationship between God and humankind through the lens of a Hungarian writer and his wife, Anna, a blues-singing mother of three (soon to be four), who endures her husband's challenging writing endeavors. Anna shares her memories and reflections with Hrabal, her thoughts oscillating between domestic issues and the injustices her family faced during the Stalinist 1950s, police harassment, and marital strains. Her husband becomes so consumed by his project on Hrabal that he struggles to write it. The narrative evolves into a literary love triangle, with Hrabal as Anna's confidant and an unseen presence in their marriage. Two angels, disguised as secret policemen, monitor the household, communicating with God via walkie-talkie. Their mission is to prevent Anna from terminating her pregnancy. When uncertainty arises, God himself, known as Bruno, appears, engaging with Hrabal, taking saxophone lessons from Charlie Parker, and attempting to persuade Anna to keep her child. However, his lack of musical talent contrasts sharply with his passion for jazz and blues. Esterhazy's brilliant style intricately weaves language, tone, and perspective into a playful narrative.
Achat du livre
The Book of Hrabal, Péter Esterházy, Judith Sollosy
- Langue
- Année de publication
- 1995
- Reliure
- (souple)
Modes de paiement
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- Titre
- The Book of Hrabal
- Langue
- Anglais
- Auteurs
- Péter Esterházy, Judith Sollosy
- Publié
- 1995
- Format
- souple
- Pages
- 168
- ISBN10
- 0810111993
- ISBN13
- 9780810111998
- Séries
- Catégories
- Mots clés
- Hongrie, Littérature hongroise
- Première publication
- 1990
- Titre original
- Hrabal könyve
- Évaluation
- 4,05 sur 5
- Description
- An elegant homage to Czech storyteller Bohumil Hrabal, this novel is a tribute to blues music, saxophones, and the complexities of domestic life, while also reflecting on the years of communism in Eastern Europe. It explores the relationship between God and humankind through the lens of a Hungarian writer and his wife, Anna, a blues-singing mother of three (soon to be four), who endures her husband's challenging writing endeavors. Anna shares her memories and reflections with Hrabal, her thoughts oscillating between domestic issues and the injustices her family faced during the Stalinist 1950s, police harassment, and marital strains. Her husband becomes so consumed by his project on Hrabal that he struggles to write it. The narrative evolves into a literary love triangle, with Hrabal as Anna's confidant and an unseen presence in their marriage. Two angels, disguised as secret policemen, monitor the household, communicating with God via walkie-talkie. Their mission is to prevent Anna from terminating her pregnancy. When uncertainty arises, God himself, known as Bruno, appears, engaging with Hrabal, taking saxophone lessons from Charlie Parker, and attempting to persuade Anna to keep her child. However, his lack of musical talent contrasts sharply with his passion for jazz and blues. Esterhazy's brilliant style intricately weaves language, tone, and perspective into a playful narrative.