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Uncensored

Views & (Re)views

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"Uncensored: Views & (Re)views" is Joyce Carol Oates's most candid collection of prose since her last nonfiction work, featuring thirty-eight thought-provoking pieces from esteemed literary publications. In her preface, Oates emphasizes that storytelling dynamics, though subtle, are present in essays and reviews. The voice in these "conversations" mirrors her fiction, marked by dramatic directness and an ethical perspective that invites readers to engage in critical thinking. Under "Not a Nice Person," Oates examines controversial figures like Sylvia Plath and Patricia Highsmith with clarity and without sentimentality. The section "Our Contemporaries, Ourselves" delves into the works of diverse talents such as William Trevor, E. L. Doctorow, and Alice Sebold. In her "homages" and "revisits," Oates enthusiastically reflects on cultural icons like Emily Brontë and Ernest Hemingway, while also revisiting significant works like the first film adaptation of "Dracula" and Don DeLillo's debut novel. She contemplates the ethics of selling private letters and the nostalgia of visiting Thoreau's Walden Pond. Through these balanced essays, Oates showcases her engagement with literary forebears and contemporaries, offering insights into her creative process, suggesting that prose, akin to music, evokes mood and deeper subtextual urgency.

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Uncensored, Joyce Carol Oates

Langue
Année de publication
2005,
État du livre
Abîmé
Prix
3,64 €

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Titre
Uncensored
Sous-titre
Views & (Re)views
Langue
Anglais
Éditeur
Ecco
Publié
2005
ISBN10
0060775564
ISBN13
9780060775568
Séries
Description
"Uncensored: Views & (Re)views" is Joyce Carol Oates's most candid collection of prose since her last nonfiction work, featuring thirty-eight thought-provoking pieces from esteemed literary publications. In her preface, Oates emphasizes that storytelling dynamics, though subtle, are present in essays and reviews. The voice in these "conversations" mirrors her fiction, marked by dramatic directness and an ethical perspective that invites readers to engage in critical thinking. Under "Not a Nice Person," Oates examines controversial figures like Sylvia Plath and Patricia Highsmith with clarity and without sentimentality. The section "Our Contemporaries, Ourselves" delves into the works of diverse talents such as William Trevor, E. L. Doctorow, and Alice Sebold. In her "homages" and "revisits," Oates enthusiastically reflects on cultural icons like Emily Brontë and Ernest Hemingway, while also revisiting significant works like the first film adaptation of "Dracula" and Don DeLillo's debut novel. She contemplates the ethics of selling private letters and the nostalgia of visiting Thoreau's Walden Pond. Through these balanced essays, Oates showcases her engagement with literary forebears and contemporaries, offering insights into her creative process, suggesting that prose, akin to music, evokes mood and deeper subtextual urgency.