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Arte antica. Cataloghi: Veronese

Gods, Heroes, and Allegories

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  • 250pages
  • 9 heures de lecture

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Paolo Caliari-better known as Veronese-is the "profane" painter par excellence. Veronese gave expression to a secular and progressive vision that brought him into direct collision with the Church hierarchy, prefiguring the collision of the academy and modern art. This catalog brings together a series of paintings by the 16th-century Italian artist emphasizing the spectacular in Veronese's work which in turn reveals multiple facets of Venetian life.This sumptuous catalogue from the Musée du Luxembourg exhibition aims to underline the profane aspect of the artist, leaving aside religious works and altarpieces. His paintings of Biblical subjects are not actually excluded, for Veronese approached Holy Scripture and mythology in the same spirit, bringing out the emotional aspects of the Bible rather than the symbolic and didactic as other Venetian artists of his time did.In this richly illustrated volume, Veronese can be seen as the quintessence of the classicism that exalted drawing and color, magnificence and quality, that aimed to organize the episodes from mythology and the Bible in a grandiose manner, and to bring out the profound self-awareness of the subjects of his portraits.

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Arte antica. Cataloghi: Veronese, Pierluigi. Maler De Vecchi, Giandomenico Romanelli, Claudio Strinati

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Année de publication
2004
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Titre
Arte antica. Cataloghi: Veronese
Sous-titre
Gods, Heroes, and Allegories
Langue
Anglais
Éditeur
Skira
Publié
2004
Format
rigide
Pages
250
ISBN10
8884918685
ISBN13
9788884918680
Séries
Description
Paolo Caliari-better known as Veronese-is the "profane" painter par excellence. Veronese gave expression to a secular and progressive vision that brought him into direct collision with the Church hierarchy, prefiguring the collision of the academy and modern art. This catalog brings together a series of paintings by the 16th-century Italian artist emphasizing the spectacular in Veronese's work which in turn reveals multiple facets of Venetian life.This sumptuous catalogue from the Musée du Luxembourg exhibition aims to underline the profane aspect of the artist, leaving aside religious works and altarpieces. His paintings of Biblical subjects are not actually excluded, for Veronese approached Holy Scripture and mythology in the same spirit, bringing out the emotional aspects of the Bible rather than the symbolic and didactic as other Venetian artists of his time did.In this richly illustrated volume, Veronese can be seen as the quintessence of the classicism that exalted drawing and color, magnificence and quality, that aimed to organize the episodes from mythology and the Bible in a grandiose manner, and to bring out the profound self-awareness of the subjects of his portraits.