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In the spring of 1948 Arthur Miller retreated to a log cabin in Connecticut with the first two lines of a new play already fixed in his mind. He emerged six weeks later with the final script of Death of a Salesman - a painful examination of American life and consumerism. Opening on Broadway the following year, Miller's extraordinary masterpiece changed the course of modern theatre. In creating Willy Loman, his destructively insecure anti-hero, Miller himself defined his aim as being 'to set forth what happens when a man does not have a grip on the forces of life'.
Nous avons un total de du titre Death of a Salesman : certain private conversations in two acts and a requiem (1988).
Achat du livre
Death of a Salesman : certain private conversations in two acts and a requiem, Arthur Miller
- Langue
- Année de publication
- 1988
- Reliure
- (souple),
- État du livre
- Bon
- Prix
- 3,99 €
Modes de paiement
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- Titre
- Death of a Salesman : certain private conversations in two acts and a requiem
- Langue
- Anglais
- Auteurs
- Arthur Miller
- Éditeur
- Penguin Books
- Publié
- 1988
- Format
- souple
- Pages
- 112
- ISBN10
- 0140181555
- ISBN13
- 9780140181555
- Séries
- Catégories
- Mots clés
- Amour, Famille, Nouvelles, États-Unis, Relations, Littérature américaine, L'école, Mort, Pièces de théâtre, Adapté au cinéma, New York, Amérique, Littérature espagnole, Peur, Réalisme magique, Destin, Relations familiales, Auto-découverte, Suicide, Dépression, Prix Nobel, Littérature hispano-américaine, Tragédie, Désespoir, S'auto-réaliser, Aliénation, Prix Pulitzer
- Première publication
- 1949
- Titre original
- Death of a Salesman
- Évaluation
- 3,55 sur 5
- Description
- In the spring of 1948 Arthur Miller retreated to a log cabin in Connecticut with the first two lines of a new play already fixed in his mind. He emerged six weeks later with the final script of Death of a Salesman - a painful examination of American life and consumerism. Opening on Broadway the following year, Miller's extraordinary masterpiece changed the course of modern theatre. In creating Willy Loman, his destructively insecure anti-hero, Miller himself defined his aim as being 'to set forth what happens when a man does not have a grip on the forces of life'.