Exploring the intersection of culture, consciousness, and physicality, this book introduces a Physical Culture Theory that views culture as a self-organizing pattern of electric forces. It emphasizes the role of music as a key example, integrating acoustics, psychology, and ethnology into a cohesive framework. The theory rejects the divide between nature and nurture, proposing that all cultural phenomena are interconnected systems. It also advocates for ethical considerations in culture and arts as fundamental human rights, aiming to expand these concepts across various fields in the future.
