Red Schuhart is a stalker, one of those misfits who are compelled, in spite of extreme danger, to venture illegally into the Zone to collect the mysterious artefacts that the alien visitors left scattered around. His life is dominated by the place and the thriving black market in the alien products. Even the nature of his mutant daughter has been determined by the Zone. And it is for her that he makes his last tragic foray into the hazardous and hostile territory.
It is a mysterious city whose sun is switched on in the morning and switched off at night, bordered by an abyss on one side and an impossibly high wall on the other. Its inhabitants are people who were plucked from twentieth-century history at various times and places and left to govern themselves, advised by Mentors whose purpose seems inscrutable. This is life in the Experiment. Andrei Voronin, a young astronomer plucked from Leningrad in the 1950s, is a die-hard believer in the Experiment, even though his first job in the city is as a garbage collector. As increasinbly nightmarish scenarios begin to affect the city, he rises through the political hierarchy, with devastating effect.
Astrophysicist Dmitri Malianov is on the precipice of a major discovery - a Nobel Prize-worthy break though. Yet, home alone in his Leningrad apartment, his work is beginning to be stymied. Strange and improbable distractions are mounting around him - and he is not alone. Across the city, his scientific colleagues, all close to their own eureka moments, keep finding themselves subject to countless mysterious interruptions. Are they paranoid, or is a malign authority conspiring against them . . . ? A science fiction classic from two Russian masters, One Billion Years to the End of the World is at turns both hilarious and suspenseful, while at its heart hides a quiet yet biting critique of Soviet totalitarianism.
Anton is an undercover operative from future Earth, who travels to an alien world whose culture has not progressed beyond the Middle Ages. Although in possession of far more advanced knowledge than the society around him, he is forbidden to interfere with the natural progress of history. His place is to observe rather than interfere - but can he remain aloof in the face of so much cruelty and injustice ...'
When young programmer Alexander Ivanovich Privalov picks up two hitchhikers while driving in Karelia, he is drawn into the mysterious world of the National Institute for the Technology of Witchcraft and Thaumaturgy, where research into magic is serious business. And where science, sorcery and socialism meet, can chaos be far behind?
Two Soviet science fiction novels by the Strugatsky brothers. Introduction by Theodore Sturgeon.
This collection offers a significant selection of influential science fiction from Russia, making it accessible to English-speaking readers for the first time. By bridging the gap between cultures, it highlights the unique themes and perspectives that have shaped Russian science fiction over the past century, providing insights into the genre's evolution within the world's largest country.
Židáci města Pitěru je jediná divadelní hra A. a B. Strugackých a rozhodně nepojednává o fantastických událostech či daleké budoucnosti. Děj se odehrává na konci Gorbačovovy perestrojky, kdy se v řadě petrohradských domácností objevuje muž v černém, který přináší podivnou obsílku. Ta „Židáky města Pitěru“ vyzývá, aby si rychle sbalili svých pár švestek a dostavili se na předem určené shromaždiště… Tři hrdinové dlouho o všem přemítají, vyslovují zcela nesmyslné hypotézy, jeden druhému se vysmívají a jeden druhého litují – ale zároveň se rozhodnou, že se jako vždy podřídí. Přestože Strugačtí označují Židáky města Pitěru za komedii, ve skutečnosti je to příběh nejhorší formy lidského otroctví – otroctví duševního, paralyzujícího rozum, vůli i samotnou lidskou potřebu žít svobodně.
