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Manfredo Tafuri

    Manfredo Tafuri a été une figure centrale de l'histoire de l'architecture du XXe siècle, remettant en question les visions établies qui caractérisaient la Renaissance comme un "âge d'or". Son travail se distinguait par une critique acerbe des historiens et théoriciens précédents, qu'il accusait de "critique opérationnelle" partisane. Tafuri concevait l'histoire de l'architecture non pas comme une progression linéaire, mais comme une lutte continue sur les plans critique, théorique et idéologique, façonnée par les contraintes de la pratique. Pour lui, l'architecture, définie par la tension entre son caractère artistique et ses dimensions techniques, était un champ perpétuellement en crise, en faisant une arène vibrante pour le débat. Ses travaux ultérieurs ont impliqué une profonde réévaluation de l'architecture de la Renaissance, explorant ses contextes sociaux, intellectuels et culturels, ainsi que le pouvoir de la représentation.

    Gegenwart
    Vienna rossa
    Weltgeschichte der Architektur- Klassische Moderne
    Teatri e scenografie
    Modern Architecture in Japan
    Architecture and Utopia
    • Architecture and Utopia

      • 196pages
      • 7 heures de lecture

      Architecture and Utopia leads the reader beyond architectural form into a broader understanding of the relation of architecture to society and the architect to the workforce and the marketplace.

      Architecture and Utopia
      3,8
    • Modern Architecture in Japan

      • 256pages
      • 9 heures de lecture

      Manfredo Tafuri (1935–1994), the celebrated Italian architectural historian, published L’architettura moderna in Giappone in 1964. At the time, Tafuri was twenty-nine years old and had not visited Japan. His slim volume on the country’s postwar architecture was the first in a series of guidebooks on contemporary architecture under the direction of Leonardo Benevolo. Here, translated into English for the first time, the book presents a rare outsider’s view of the Metabolist movement and figures such as Kenzō Tange by one of the most astute critics of the second part of the twentieth century.Tafuri’s ideas about Japanese architecture were primarily formed through texts, including magazine articles and contemporary photographs. How did Tafuri come to select the achievements of Japanese architects as the focus of his reflections on modern architecture? What happens when a historian of architecture relies purely on photographs for making judgments about a building? Edited and introduced by Mohsen Mostafavi, this volume reflects on these questions and more, presenting the translated text alongside essays by Marco Biraghi, Catherine Ingraham, Ken Tadashi Oshima, Federico Scaroni, and Hajime Yatsuka, as well as a rich collection of images. Together, these materials situate the reader in relation to Tafuri’s scholarship, the histories of Japanese architecture and Italian criticism, and the idiosyncrasies of this luminous text.

      Modern Architecture in Japan
    • Gegenwart

      • 213pages
      • 8 heures de lecture
      Gegenwart