In a book with 175 color illustrations, the author aims to show the similarities between fashion designers Miuccia Prada and Elsa Schiaparelli, including their preferences for exotic colors, interesting textiles and prints, their bold approach to style and accessories and much more.
A captivating retrospective of 20th-century styles, this original survey explores the social context of fashion with informative text and over 70 striking images. Profiles include the newly emancipated woman of the 20s, WWII-era glamour girls, flower children of the 60s, the 80s cult of fitness and perfection, and the dawn of the 21st-century obsession with celebrity styles.
If you love shoes—and who doesn't?—nothing reflects a woman’s style like her footwear choices. Long before the likes of Jimmy Choo and Christian Louboutin, Beth Levine was a pioneering designer whose creations became objects of desire. She introduced mules, stilettos, and fashion boots to the American market, drawing inspiration from nature, auto racing, patchwork quilts, and even the moon landing. Her fashion-forward designs were worn by icons like Marilyn Monroe and Barbra Streisand and favored by renowned designers such as Halston and Oscar de la Renta. This book features full-color photos of Levine’s remarkable creations, showcasing her shoes as symbols of glamour and artistry. Widely recognized as the ‘First Lady of American Shoe Design,’ Levine worked under her husband’s label, crafting some of the most innovative shoes of the 60s and 70s, including the famous boots worn by Nancy Sinatra in “These Boots Are Made for Walkin’.” The book offers a glimpse into the life and work of one of the most influential American shoe designers of the 20th century, with intricate and whimsical designs that make it a worthwhile read.
Over time and across cultures, extraordinary manipulations of the body have occurred in a continuing evolution of the concept of beauty. Fashion can be seen as the practice of some of the most extreme strategies to conform to shifting concepts of the physical ideal. Various zones of the body—the neck, the shoulders, the bust, the waist, the hips, and the feet—have been constricted, padded, truncated, or extended through subtle visual adjustments of proportion, less subtle prosthesis, and, often, deliberate physical deformation.This stunning book shows that an undeniable if uncanny beauty abides in the bundled cylindricality of a geisha tottering on raised geta or clogs; the tea-tray supporting bustle of an 1880s French visiting dress; the double-door expanse of eighteenth-century panniered court gowns; the bound feet and caged nails of aristocratic Manchu women; the neck-extending chokers of the Masai, of Edwardian beauties, and of John Galliano’s designs for Dior; or the waist suppression of the sixteenth-century iron corsets and the cinches of early-nineteenth-century dandies. The photographs of fashion are augmented by paintings, prints, and drawings, including caricatures by Gilray, Cruikshank, Daumier, and Vernet.
The House of Lanvin evolved from the creative force and remarkable energy of an extraordinary woman, Jeanne Lanvin. Her design career survived fifty-six successful and productive years. Lanvin is the oldest surviving couture house, in near-continuous existence from 1909 through the present day. Her body of work includes millinery, children’s wear, haute couture, fragrances, furs, lingerie, menswear, and interior design among others. The continuous public appeal and the youthful image of these couture creations are lasting aspects of Madame Lanvin’s career. At the heart of this book are key collections from 1909 through 1946, the year of Lanvin’s death. Original fashion illustrations, beading and embroidery swatches play a crucial role in demonstrating her intricate, creative, and innovative techniques. The house of Lanvin is currently experiencing a period of great acclaim, emerging as a darling of the press, Hollywood, and the larger fashion community. With the most modern of efforts, Alber Elbaz, the current design director, is drawing from the rich Lanvin tradition to create an award-winning collection that at once evokes, reveres, and reinvents the intentions of its founder.
During the reigns of Louis XV (1723-74) and Louis XVI (1774-92), fashion and furniture were not simply meant to be beautiful but were also intended to arouse, attract, and seduce. Published in response to the critically acclaimed and hugely popular exhibition held at the Metropolitan Museum in the fall of 2004, Dangerous Liaisons focuses on fashion and its interplay with the paintings, furniture, and decorative arts of eighteenth-century France. Featuring beautiful color photographs of the exhibition€™s installation, details of the garments, and supplementary historical material, the book demonstrates how the extravagant clothing of the period reiterated the splendor of Rococo and Neoclassical interiors.
From the emblematic designs of Madame Grès to Isadora Duncan’s dance costumes and the avant-garde gowns of Yves Saint Laurent, the Greco-Roman classical tradition of dress has clearly inspired and influenced the worlds of art and fashion. This beautifully illustrated book explores the continually evolving influence of classical dress through the ages, presenting a historical survey of this fascinating theme. Featured works include paintings, photographs, sculpture, and decorative objects from Greek and Roman times to the present as well as garments dating from the eighteenth century and recent creations by designers such as Tom Ford of Gucci and Issey Miyake.Published in association with The Metropolitan Museum of Art
Men's Style in the Twentieth Century