Rebecca Gowers Livres

'Be short, be simple, be human.' When Sir Ernest Gowers first wrote Plain Words, it was intended simply as a guide to the proper use of English for the Civil Service. Within a year, however, its humour, charm and authority had made it a bestseller. Since then it has never been out of print. Six decades on, writer Rebecca Gowers has created a new edition of this now-classic work that both revises and celebrates her great-grandfather's original. Plain Words has been updated to reflect numerous changes in English usage, yet Sir Ernest's distinctive, witty voice is undimmed. And his message remains vital: our writing should be as clear and comprehensible as possible, avoiding superfluous words and clichés - from the jargon of 'commercialese' to the murky euphemisms of politicians. In a new preface, this edition draws on an extensive private archive, previously hidden away in family cupboards and attics, to tell the story behind a book that has become an institution: the essential guide to making yourself understood.

It looks like just another week ahead. Then out of the blue Ramble's husband ends their marriage over lunch and disappears. With no rent money and her world in shreds, she is forced to reconsider everything she's ever been taught by her screwy relatives, unreliable friends and wayward criminal connections. Should she hide in life's slipstream, or has the moment come to break free?

Kit, a work-obsessed literature student, decides on a whim to go to a dance class. And for a while it looks like Joe, the shadowy figure she meets there, may tempt her to put her books aside and live a little.

Nothing inflames the language gripers like a misplaced disinterested, an illogical irregardless, a hideous operationalisation. To purists these are 'howlers' and 'non-words', fit only for scorn. But in their rush to condemn such terms, are the naysayers missing something? In this provocative and hugely entertaining book, Rebecca Gowers throws light on a great array of horrible words, and shows how the diktats of the pedants are repeatedly based on misinformation, false reasoning and straight-up snobbery. The result is a brilliant work of history, a surreptitious introduction to linguistics, and a mischievous salute to the misusers of the language. It is also a bold manifesto asserting our common rights over English, even as it questions the true nature of style.

The astonishing true story of a nineteenth-century scoundrel and his murder at the hands of photographer Eadweard Muybridge, a founding father of cinema