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Edward Hallett Carr

    28 juin 1892 – 3 novembre 1982

    E. H. Carr était un historien et journaliste britannique dont le travail s'est concentré sur les relations internationales et l'Union soviétique. Il se caractérisait par un éloignement des méthodes historiographiques traditionnelles, prônant une perspective réaliste sur l'histoire. Son œuvre monumentale sur l'Union soviétique et son texte fondamental sur les principes historiographiques soulignent sa volonté de comprendre et de théoriser l'ordre international.

    Edward Hallett Carr
    The Bolshevik Revolution 3. 1917-1923
    Nationalism and After
    Advanced English II.
    What is History?
    German-Soviet Relations Between the Two World Wars, 1919-1939
    The twenty years' crisis, 1919-1939 : an introduction to the study of international relations
    • E. H. Carr's classic work on international relations published in 1939 was immediately recognized by friend and foe alike as a defining work. The author was one of the most influential and controversial intellectuals of the 20th century. The issues and themes he developed continue to have relevance to modern day concerns with power and its distribution in the international system. Michael Cox's critical introduction provides the reader with background information about the author, the context for the book, and its main themes and contemporary relevance.

      The twenty years' crisis, 1919-1939 : an introduction to the study of international relations
    • What is History?

      • 208pages
      • 8 heures de lecture
      3,9(265)Évaluer

      Shows that the 'facts' of history are simply those which historians have selected for scrutiny. This title includes material which presents the conclusions of the author's notes.

      What is History?
    • This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

      The Romantic Exiles: a Nineteenth-century Portrait Gallery
    • This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

      International Relations Since the Peace Treaties.
    • This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

      Propaganda in International Politics