Georg Friedrich Treitschke Livres

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Ludwig van Beethoven, Joseph Sonnleithner, Georg Friedrich Treitschke, Stephan von Breuning: Fidelio. Oper in zwei Aufzügen Libretto Lesefreundlicher Großdruck in 16-pt-Schrift Großformat, 210 x 297 mm Berliner Ausgabe, 2021 Durchgesehener Neusatz bearbeitet und eingerichtet von Theodor Borken Komponiert von Ludwig van Beethoven. Libretto in Zusammenarbeit mit Georg Friedrich Treitschke und Stephan von Breuning. Uraufführung am 20.11.1805, Theater an der Wien, Wien. Textgrundlage ist die Ausgabe: Ludwig van Beethoven: Fidelio. Oper in zwei Aufzügen, hg. v. Wilhelm Zentner, Stuttgart: Reclam, 1970. Umschlaggestaltung von Thomas Schultz-Overhage. Gesetzt aus der Minion Pro, 16 pt. Henricus - Edition Deutsche Klassik GmbH

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Ludwig van Beethoven, Joseph Sonnleithner, Georg Friedrich Treitschke, Stephan von Breuning: Fidelio. Oper in zwei Aufzügen Libretto Komponiert von Ludwig van Beethoven. Libretto in Zusammenarbeit mit Georg Friedrich Treitschke und Stephan von Breuning. Uraufführung am 20.11.1805, Theater an der Wien, Wien. Vollständige Neuausgabe. Herausgegeben von Karl-Maria Guth. Berlin 2016. Textgrundlage ist die Ausgabe: Ludwig van Beethoven: Fidelio. Oper in zwei Aufzügen, hg. v. Wilhelm Zentner, Stuttgart: Reclam, 1970. Die Paginierung obiger Ausgabe wird in dieser Neuausgabe als Marginalie zeilengenau mitgeführt. Umschlaggestaltung von Thomas Schultz-Overhage. Gesetzt aus der Minion Pro, 11 pt.