Enrique Vila Matas Livres

" Mallarmé ou Rimbaud ? " demande Marguerite Duras à son locataire qui aspire à écrire, ne comprend pas - une fois de plus - sa question et s'en étrangle. C'est que, lui avait expliqué un camarade d'exil, Marguerite parle un " français supérieur ". En fait, sommé de choisir entre deux options littéraires - la nomade et la sédentaire -, bien que s'identifiant à Hemingway, le narrateur se prononce pour la deuxième, craignant que son étrange logeuse ne l'enjoigne à partir à l'aventure et à libérer la mansarde dont il oublie de lui payer le loyer. En revisitant ironiquement ses malheureuses années d'apprentissage à Paris, ce double de Vila-Matas découvre que malgré tout, comme a dit John Ashbery : après avoir vécu à Paris, on est incapable de vivre ailleurs, y compris à Paris.

The first of four special publications to accompany a year-long display of works from Barcelona's la Caixa Collection at Whitechapel Gallery, selected by and featuring newly-commissioned fictional works by some of the most original English and Spanish-language writers working today.

In Bartleby Co., an enormously enjoyable novel, Enrique Vila-Matas tackles the theme of silence in literature: the writers and non-writers who, like the scrivener Bartleby of the Herman Melville story, in answer to any question or demand, replies: "I would prefer not to." Addressing such "artists of refusal" as Robert Walser, Robert Musil, Arthur Rimbaud, Marcel Duchamp, Herman Melville, and J. D. Salinger, Bartleby Co. could be described as a meditation: a walking tour through the annals of literature. Written as a series of footnotes (a non-work itself), Bartleby embarks on such questions as why do we write, why do we exist? The answer lies in the novel itself: told from the point of view of a hermetic hunchback who has no luck with women, and is himself unable to write, Bartleby is an utterly engaging work of profound and philosophical beauty.

The narrative follows Jose, a writer whose obsession with literature blurs the lines between reality and fiction. This work blends picaresque elements, diary entries, and philosophical reflections, featuring a host of literary figures like Cervantes and Kafka. As Jose navigates a journey through European cities and beyond, he confronts themes of loss and pain, offering readers a witty and erudite exploration of the literary world. The novel showcases Enrique Vila-Matas's status as a significant contemporary Spanish author.

SHORTLISTED FOR THE INDEPENDENT FOREIGN FICTION PRIZE'A writer who has no equal in the contemporary landscape of the Spanish novel.' Roberto BolanoSamuel Riba is about to turn 60.

One of the most richly allusive novels you're likely to encounter... [a] thrillingly imaginative exploration of creativity Alex Clark Observer

A reader's fictional tour of the art and lives of some of the great 20th-century Surrealists

LONGLISTED FOR THE 2020 INTERNATIONAL BOOKER PRIZEEnrique Vila-Matas's new novel is perhaps his greatest: 'playful and funny and among the best Spanish novelists' (Colm Toibin)Mac is not writing a novel.

"Arguably Spain's most significant contemporary literary figure" (Joanna Kavenna, The New Yorker)

Gonzalez-Foerster works experimentally. Engaging with the exhibition as a medium, her spatial inventions and investigations probe the notion of display, as well as how an image or scene is experienced. Drawing on wide-ranging references from music, literature, film, architecture and pop culture, the artist creates densely layered environments with the ability to transport viewers into alternative narrative, temporal and psychological dimensions.00Alienarium 5 is a speculative environment that invites us to imagine possible encounters with extraterrestrials. The catalogue is a culmination of her decades-long interest in science fiction and continued research into deep space and alien life. Conceived site-specifically for Serpentine, the exhibition will feature almost entirely new work that engages both the gallery?s internal and external space.00Exhibition: Serpentine Gallery, London, United Kingdom (14.04. - 04.09.2022).