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Rick Altman Livres

    Rick Altman est professeur de cinéma et de littérature comparée à l'Université de l'Iowa. Ses travaux universitaires explorent les dimensions historiques et théoriques du cinéma et de la littérature, examinant comment ces médiums ont évolué et façonnent notre perception du monde. L'approche d'Altman est analytique, offrant un aperçu profond de la relation complexe entre les médias et la culture. Ses contributions académiques élargissent considérablement notre compréhension de l'histoire du cinéma et de la littérature.

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    Film/Genre
    The American Film Musical
    Why Most PowerPoint Presentations Suck
    British Film Institute Readers in Film Studies: Genre, The Musical

    • Why Most PowerPoint Presentations Suck

      • 408pages
      • 15 heures de lecture

      SECOND EDITION: Did you learn PowerPoint in 30 minutes? Join the crowd...most people get no more than a half-hour of training time with PowerPoint before they are tasked with making what is likely to be a first impression of themselves or their company. This book is for earnest presenters and presentation designers who want to escape the perils that entrap so many who turn to PowerPoint for their presentations.

      Why Most PowerPoint Presentations Suck
      4,0

    • The American Film Musical

      Presents a study of American film musical. This book combines genre theory with film criticism and history. It is suitable for film enthusiasts and scholars of film, theater, popular culture and communications.

      The American Film Musical
      4,0

    • Film/Genre

      • 246pages
      • 9 heures de lecture

      This text seeks to revise notions of film genre. It connects the roles played by industry critics and audiences in making and re-making genre. In a critique of major voices in the history of genre theory from Aristotle to Wittgenstein, Altman reveals the conflicting stakes for which the genre game has been played. Recognizing that the very term "genre" has different meaning for different groups, he bases his genre theory on the uneasy competitive yet complimentary relationship among genre users and discusses a range of films from "The Great Train Robbery" to "Star Wars", and from "The Jazz Singer" to "The Player".

      Film/Genre