The book offers a first-hand perspective from Sanjoy Ganguly, the artistic director of Jana Sanskriti, detailing the organization's evolution since its inception in 1985. It highlights the establishment of an Indian Forum Theatre network that has gained recognition from Augusto Boal as a leading proponent of his theatrical methodology beyond Brazil. Through this account, readers gain insight into the transformative power of theatre in social change and community engagement.
Recognized globally, Jana Sanskriti stands out as a leading example of post-Boalian Theatre of the Oppressed. This innovative approach emphasizes social change through performance, engaging communities in dialogue and reflection on their struggles. The organization combines artistry with activism, making it a vital force in contemporary theatre that addresses social issues and empowers marginalized voices.
Das Buch behandelt die indische Theaterbewegung Jana Sanskriti und deren Gründer Sanjoy Ganguly, die laut Augusto Boal bedeutende Vertreter des „Theaters der Unterdrückten“ außerhalb Brasiliens sind. Es thematisiert Macht, Hierarchie, Bildung und Demokratie in einer performativen Ästhetik des „Theater als Politik“.