Alberto Baracco Livres

The book introduces a novel methodological strategy for interpreting film philosophy, challenging existing approaches. It explores how films can be analyzed through philosophical lenses, emphasizing the significance of cinematic narratives in philosophical discourse. By examining the interplay between film and philosophical thought, the author aims to deepen our understanding of both mediums and their impact on cultural and intellectual landscapes.

This book explores the interpretation of Stan Brakhage's experimental film "Dog Star Man" through hermeneutics, applying Ricoeurian methodology. It challenges traditional film concepts by emphasizing Brakhage's non-narrative approach, use of celluloid techniques, and absence of dialogue, prompting a philosophical inquiry into the language of moving images.