Ce livre propose 341 aphorismes sur la musique, mêlant citations de penseurs et réflexions contemporaines. Organisé en neuf chapitres, il invite à la réflexion et au débat, présentant chaque aphorisme comme une vérité contestable sur la pensée et la perception dans les arts, ainsi que sur la musique et la composition.
Focusing on the innovative use of Pure Data (Pd), this work explores the creative process through original electronic compositions. It documents the author's research into binary processes, symmetry, and complementary pairs, utilizing sine tone frequencies derived from sub-audio fundamentals. The compositions not only showcase the artistic elements but also highlight how Pd can visually represent their construction and relationships, offering an analytical perspective. Additionally, the book demonstrates Pd's capability for large-scale, multi-sectional projects.
Focusing on the interplay between composition and perception, this study emphasizes the observer's role in understanding music. It explores how individual relationships with musical works shape their reception and analysis, considering the contemporary composer's multifaceted role as a teacher and philosopher. By adopting an interdisciplinary approach, it highlights the influence of various analytical perspectives on conclusions drawn about music. The aim is to illuminate significant aspects of music analysis without attempting to cover every related issue comprehensively.
Questo libro raccoglie 341 aforismi sulla musica, alcuni dei quali sono citazioni di pensatori musicali, mentre la maggior parte è parafrasata in un contesto contemporaneo. Non propone verità definitive, ma stimola riflessione e dibattito, organizzato in nove capitoli che esplorano vari aspetti del pensiero musicale.