Issu d'une passion de toute une vie pour l'art et la culture italiens, profondément enracinée dans des expériences d'enfance à Florence, cet auteur plonge dans la Renaissance. Son œuvre se concentre sur les biographies de figures centrales de cette époque, sa dernière pièce célébrant la vie et l'héritage de Michel-Ange. Il explore la nature transcendante, imprévisible et souvent difficile du génie. Cette approche littéraire est profondément façonnée par une fascination personnelle et des études dédiées à l'histoire et à la culture italiennes.
The birth of modernism a century ago was one of history's greatest moments of creative disruption, including Einstein's physics, Stravinsky's music, and the writings of Joyce and Proust. One major spark was an astonishing painting by Picasso, and Miles Unger brings us both the drama and brilliance of that creation in this thrilling book. Walter Isaacson, author of LEONARDO DA VINCI
"Magnifico is a vividly colorful portrait of Lorenzo de' Medici, the uncrowned ruler of Florence during its golden age. A true "Renaissance man," Lorenzo dazzled contemporaries with his prodigious talents and magnetic personality. Known to history as Il Magnifico (the Magnificent), Lorenzo was not only the foremost patron of his day but also a renowned poet, equally adept at composing philosophical verses and obscene rhymes to be sung at Carnival. He befriended the greatest artists and writers of the time - Leonardo, Botticelli, Poliziano, and, especially, Michelangelo, whom he discovered as a young boy and invited to live at his palace - turning Florence into the cultural capital of Europe. He was the leading statesman of the age, the fulcrum of Italy, but also a cunning and ruthless political operative. Miles Unger's biography of this complex figure draws on primary research in Italian sources and on his intimate knowledge of Florence, where he lived for several years."--Jacket
The life of one of the most revolutionary artists in history, told through the story of six of his greatest masterpieces. Among the immortals--Leonardo, Rembrandt, Picasso--Michelangelo stands alone as a master of painting, sculpture, and architecture. He was not only the greatest artist in an age of giants, but a man who reinvented the practice of art itself. Throughout his long career he clashed with patrons by insisting that he had no master but his own demanding muse and promoting the novel idea that it was the artist, rather than the lord who paid for it, who was creative force behind the work. Miles Unger narrates the astonishing life of this driven and difficult man through six of his greatest masterpieces. Each work expanded the expressive range of the medium, from the "Pieta "Michelangelo carved as a brash young man, to the apocalyptic "Last Judgment," the work of an old man tested by personal trials. Throughout the course of his career he explored the full range of human possibility. In the gargantuan "David "he depicts Man in the glory of his youth, while in the tombs he carved for the Medici he offers a sustained meditation on death and the afterlife. In the Sistine Chapel ceiling he tells the epic story of Creation, from the perfection of God's initial procreative act to the corruption introduced by His imperfect children. In the final decades of his life, his hands too unsteady to wield the brush and chisel, he exercised his mind by raising the soaring vaults and dome of St. Peter's in a final tribute to his God. A work of deep artistic understanding, Miles Unger's "Michelangelo" brings to life the irascible, egotistical, and undeniably brilliant man whose artistry continues to amaze and inspire us after 500 years.