Through a consideration of how we have come to perceive art crime and the gendered language associated with its documentation, this pioneering study questions why women have been left out of the discourse to date and how, by looking specifically at women, we can gain a more complete picture of art crime history.
Celebrating the natural world, this tender story combines lyrical verse with striking paper-collage illustrations. It explores humanity's connection to nature, inviting readers to appreciate their place within the vibrant ecosystem. The unique artistic style enhances the emotional depth of the narrative, making it a visually and thematically rich experience.
The book uncovers the alarming rise of art crime, revealing that up to $10 billion worth of artwork is stolen annually, alongside rampant vandalism and destruction. It highlights the prevalence of fakes and forgeries that deceive even the most prestigious galleries. Through the insights of art curator Penelope Jackson, readers will discover the surprising extent of these issues within the New Zealand art scene, challenging the notion that such crimes are confined to major global cities like Paris, London, and New York.
This book is a study of the history, role and significance of copying art. Examining the motivations for making copies, and reflecting on the reception of copies, is central to this book.