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Danielle Dutton

    Danielle Dutton crée une fiction saluée pour son style unique et son regard perçant sur l'expérience humaine. Ses récits, parus dans des revues littéraires estimées, explorent des relations complexes et la vie intérieure des personnages avec une subtilité remarquable. Dutton est également cofondatrice d'une maison d'édition féministe dédiée à la promotion de voix féminines innovantes. Ses contributions littéraires résident dans son exploration et sa présentation continues de nouvelles perspectives au sein de la littérature contemporaine.

    Prairie, Dresses, Art, Other
    Margaret the First
    • An inventive, spirited novel about a pioneering woman who was shamed for daring to challenge male dominance in the arts and sciences four centuries ago. Margaret Cavendish was the first woman to address the Royal Society and the first Englishwoman to write explicitly for publication. Wildly unconventional, she was championed by her forward-thinking husband and nicknamed 'Mad Madge' by her many detractors. Later, Virginia Woolf would write, 'What a vision of loneliness and riot the thought of Margaret Cavendish brings to mind!' Unjustly neglected by history, here Margaret is brought intimately and memorably to life, tumbling pell-mell across the pages of this exhilarating novel -- a portrait of a woman whose ambitions were centuries ahead of her time.

      Margaret the First
    • In Prairie, Dresses, Art, Other, Danielle Dutton imagines new models for how literature might work in our fractured times. The collection covers an inventive selection of subjects in four eponymous sections which contrast and echo one another. Out of these varied materials, Dutton builds a haunting landscape of strangeness and beauty.

      Prairie, Dresses, Art, Other