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Lyn Hejinian

    Lyn Hejinian est une poétesse et essayiste américaine, étroitement associée au mouvement des Language poets. Son œuvre est reconnue pour son approche novatrice, explorant la nature du langage et sa relation à la réalité. Elle se distingue par un style qui repousse les limites de l'expression littéraire par l'expérimentation de la forme et de la structure. Le travail de Hejinian englobe également des essais et de la traduction, offrant des aperçus profonds sur la pensée littéraire et son impact.

    The Grand Piano Part 8
    The Grand Piano
    Allegorical Moments
    • Allegorical Moments

      • 352pages
      • 13 heures de lecture

      Considers allegory as a catalyst of transformative thinkingAllegorical Moments is a set of essays dedicated to rethinking allegory and arguing for its significance as a creative and critical response to sociopolitical, environmental, and existential turmoil affecting the contemporary world.

      Allegorical Moments
      4,4
    • The Grand Piano

      Part 10

      • 269pages
      • 10 heures de lecture

      Literary Nonfiction. Biography and Memoir. PART 10 is the final installment of the Grand Piano "experiment." This volume draws some of its themes from experimental music, current Amercian politics, newspaper headlines, and an array of influnces (Kathy Acker, Lorenzo Thomas, Laura (Riding) Jackson, Robert Grenier, Larry Eigner, Clark Coolidge). At the same time, almost all the pieces of the ending volume make some kind of return to the complicated impulses that initally launched the autobiography, resistance to autobiography, writing, language-as-such, memory, time, and especially the rich historical meeting point of these ten authors in the Bay Area literary scene(s) of the 1970s.

      The Grand Piano
      4,0
    • The Grand Piano Part 8

      • 208pages
      • 8 heures de lecture

      Literary Nonfiction. Biography and Memoir. Part Eight in the ongoing series of collective autobiography, THE GRAND PART 8 continues to mark the events, movements and intersections among ten contributing 1970s Language poets. "THE GRAND PIANO is itself a veering off and an investigation and a playing or experimenting with the materials of language, history, textuality, and temporality, the personal and political, poetry and community....There is an abundance to linger over in THE GRAND PIANO even as and perhaps because of the large gaps and contradictions"--Robin Tremblay-McGaw.

      The Grand Piano Part 8
      4,0