Damon Dimarco Livres

"In the tradition of Studs Terkel, DiMarco's literary time capsule includes a wide variety of viewpoints, including: the small group of people who miraculously made it safely down from the 89th floor of Tower 1, the New York Times reporter who desperately fought her way through the fleeing crowds to get back into Lower Manhattan, the paramedic who set up a triage area 200 yards from the base of the Towers before they collapsed, and the bereaved citizens of New York City who struggled to get on with their lives in the days and months following the tragic event, among dozens of others. The original edition of Tower Stories was one of the best-selling and most critically acclaimed books on 9/11 ever published, and for this 20th Anniversary Commemorative Edition, DiMarco has conducted additional interviews that offer a contemporary perspective on the 9/11 tragedy. The individuals DiMarco interviewed for the new edition include: Alice Greenwald (President and CEO of the 9/11 Memorial & Museum); Father Jim Martin (New York Times bestselling author); Tom Haddad (survivor of the 89th floor, Tower 1); Stephen Adly Guirgis (Pulitzer Prize-winning playwright)"--Google Books

William Esper, one of the leading acting teachers of our time, explains and extends Sanford Meisner's legendary technique, offering a clear, concrete, step-by-step approach to becoming a truly creative actor.Esper worked closely with Meisner for seventeen years and has spent decades developing his famous program for actor's training. The result is a rigorous system of exercises that builds a solid foundation of acting skills from the ground up, and that is flexible enough to be applied to any challenge an actor faces, from soap operas to Shakespeare. Co-writer Damon DiMarco, a former student of Esper's, spent over a year observing his mentor teaching first-year acting students. In this book he recreates that experience for us, allowing us to see how the progression of exercises works in practice. The Actor's Art and Craft vividly demonstrates that good training does not constrain actors' instincts—it frees them to create characters with truthful and compelling inner lives.

William Esper, one of the most celebrated acting teachers of our time, takes us through his step-by-step approach to the central challenge of advanced acting work: creating and playing a character. Esper’s first book, The Actor’s Art and Craft, earned praise for describing the basics taught in his famous first-year acting class. The Actor’s Guide to Creating a Character continues the journey. In these pages, co-author Damon DiMarco vividly re-creates Esper’s second-year course, again through the experiences of a fictional class. Esper’s training builds on Sanford Meisner’s legendary exercises, a world-renowned technique that Esper further developed through his long association with Meisner and the decades he has spent training a host of distinguished actors. His approach is flexible enough to apply to any role, helping actors to create characters with truthful and compelling inner lives.

Featuring insights from renowned actors and esteemed acting teachers, this collection offers a rich tapestry of advice, quotes, essays, and observations. It explores various aspects of the art and history of acting, providing readers with inspiration and guidance from those who have excelled in the field.

Pollution is the single largest cause of death in the developing world. One in seven people in low- and middle-income countries die as a result of it. Simply put, pollution is now the world's most prevalent health risk. And yet, while most everyone has heard about going green," few are aware of the more dire and sinister brown" pollution places where man-made toxic pollutants have taken root and spread. Brown sites poison millions of people every year, causing needless suffering and death. After witnessing several brown sites firsthand and meeting families trapped by poverty in these toxic hot

When Bill Baroni was just twenty years old, he was convinced he was dying. He thought he was having a heart attack because it felt like he had an elephant sitting on his chest. It turned out to be only indigestion, but more than that, it was the wake up call he needed to save his life. Bill weighed 320 pounds and was hooked on junk food. He set about to change his life forever, and now, in Fat Kid Gets Fit, he tells you everything you need to know to lose weight and more importantly, keep it off for the rest of your life. No, he's not a doctor. Not a trainer. Not a salesman hawking gym equipment, vitamin supplements, or workout videos. He did not have gastric bypass surgery and he didn't subscribe to the slimming grapefruit enema regimes used by Hollywood stars. He lost his weight using common sense. It took dedication, and even some gumption. But it worked! He lost 120 pounds and, more importantly, he has kept it off! He has maintained a healthy 185 pounds for fifteen years. At 6'5”, he is trim, handsome, and healthy. Bill is a man on a mission—to help get everyone fit, no matter what their story is.

Sanford Meisner und William Esper gehören zu den bekanntesten Schauspiellehrern weltweit. In seinem Buch stellt Esper die Grundlagen des Meisner-Trainings vor und beschäftigt sich mit dem Wesen der Kunst als Handwerk. Wie jede Kunst verlangt auch das Schauspiel, dass der Künstler seine Individualität und Persönlichkeit einbringt, sich »im Moment« öffnet und Lebendigkeit erzeugt. Dies schafft die Meisner-Technik wie keine andere Schauspieltechnik. »Ich habe mein Leben damit verbracht, mit Schauspielern zu arbeiten. Dazu braucht man nur einige wesentliche Werkzeuge, die zu beherrschen die herausfordernde Aufgabe eines Lebens ist: geduldig sein, konkret sein, prägnant sein, ermutigen, vorschlagen, loben, zuhören. Zum ersten Mal habe ich diese Werkzeuge durch Bill Esper kennengelernt, und ich bin ihm sehr dankbar dafür.« David Mamet