David M. Barnett Livres

781pages. poche. broché. Dans Les Trois Mousquetaires revit toute l' le Moyen Age parce que c'est une épopée chevaleresque; le XVIIème siècle dominé par Richelieu fondateur de la France moderne; le romantisme parce que des héros exceptionnels, qui ont disparu d'une société contemporaine dépoétisée, se réfugient dans le roman. L'auteur y a mis tout son la surprise, la vitesse, l'humour, la couleur, le sens du mystère et de la grandeur. Le lecteur se sent un instant aventureux comme d'Artagnan, séducteur comme Aramis, hercule comme Porthos, profond comme Athos, poète comme Dumas.

How do you find love . . . when you have the loneliest job in the world?

Using extensive and untapped archival material as well as a series of in-depth interviews with Fassbinder's main theatre associates, this book offers commentary on and insights into Fassbinder's plays, his dramaturgies and staging practice. David Barnett helps to unlock the much-discussed theatricality of Fassbinder's films by showing its many concrete sources. As the first study of Fassbinder's work in the theatre, as a playwright and director, this book presents full contextualization of his work within the upheavals of its times. Readers are introduced to the cultural history of the West German theatre in the late 1960s and early 1970s.

An uplifting story of friendship and community, from the international bestselling author of Calling Major Tom

Tells the story of Suede, from its early beginnings and instant tag of the 'new saviours of rock n' roll', through lead singer Brett Anderson's relationship with Justine Frischmann who transferred her affections to rival band Blur's Damon Albarn to the arrival of guitar supremo Bernard Butler and the ensuing chart-topping singles.

David Barnett invites readers, students and theatre-makers to discover new ways of apprehending and making use of Brecht in this clear and accessible study of Brecht's theories and practices. The book analyses how Brecht's ideas can come alive in rehearsal and performance, and reveals just how carefully Brecht realized his vision of a politicized, interventionist theatre.What emerges is a nuanced understanding of Brecht's concepts, his work with actors and his approaches to directing. The reader is encouraged to engage with his method which sought to 'make theatre politically', in order to appreciate the innovations he introduced into his stagecraft. Barnett provides many examples of how Brecht's ideas can be staged, and the final chapter takes a closer look at two very different one written by Brecht and one by a playwright with no acknowledged connection to Brecht. Through an interrogation of The Resistible Rise of Arturo Ui and Patrick Marber's Closer , Barnett asks how a Brechtian approach can enliven and illuminate production.

Degrees of openness -- A politics in the chaos -- Notes -- 4 Staging The Hamletmachine -- A machine aesthetic -- The personal is the political -- Unforeseen commonalities -- Notes -- Conclusion -- Note -- Index

The fourth volume of 2000 AD Regened is filled with exhilarating, fantastical science fiction stories for young readers. Featuring Cadet Dredd, Chopper and a brand new exclusive Harlem Heroes strip, its the perfect read for kids young and old!

This is an Intermediate Level story in a series of ELT readers comprising a wide range of titles - some original and some simplified - from modern and classic novels, and designed to appeal to all age-groups, tastes and cultures. The books are divided into five levels: Starter Level, with about 300 basic words; Beginner Level (600 basic words); Elementary Level (1100); Intermediate Level (1600); and Upper Level (2200). Some of the titles are also available on cassette.