Francis Bacon Livres

Vagabondage de l'esprit ou fantasmagorie nocturne, le rêve revêt des formes multiples. Faut-il pour autant y voir un abîme trompeur, impossible à maîtriser et qui nous coupe de la réalité ? N'est-il pas, au contraire, une échappatoire aux contraintes du quotidien, un espace de liberté indispensable à la création, à la connaissance du monde et à la construction de soi ? Expérience individuelle et intime autant que reflet des aspirations d'une société, quelle est cette part de rêve que chacun porte en soi ?

Francis Bacon (1909-1992) is regarded as one of the most important post-war painters, and his work is represented in major public collections worldwide. This is the first in-depth study of the rich contents of Bacon's studio in South Kensington, London, in which he worked from 1961 until his death. The studio contents totalled 7500 objects, including photographs, books and works on paper; together they offer unprecedented insights into the source materials and working methods of one of the giants of modern art.

Francis Bacon: The Papal Portraits of 1953 explores the largest series of paintings made by the British artist Francis Bacon. For the first time, this book collects all eight Study for Portrait paintings, the famous "Study after Velazquez's Portrait of Pope Innocent X" from 1953 and several other works from the period. An essay by Hugh M. Davies, who has written extensively about Bacon, discusses his influences and sources of imagery for this body of work. Also included is a previously unpublished interview with Bacon that Davies conducted more than 25 years ago. Rounded out with a chronology and selected bibliography, Papal Portraits is a major document for the study of this vital and influential twentieth-century master.

The Essays of Francis Bacon cover the fields of philosophy, science, history and law. Bacon believed that they would last as long as books last, and it is for them that he is primarily remembered. The essays counsel on civil and moral life. This book is based on the 1625 edition.

Sir Francis Bacon, 1st Viscount St. Alban (1561-1626) was an English philosopher, statesman, and essayist. He is also known as a proponent of the scientific revolution. He was knighted in 1603, created Baron Verulam in 1618, and created Viscount St. Alban in 1621. Bacon's threefold goals were to discover truth, to serve his country, and to serve his church. He did not propose an actual philosophy, but rather a method of developing philosophy. He wrote that, whilst philosophy at the time used the deductive syllogism to interpret nature, the philosopher should instead proceed through inductive reasoning from fact to axiom to law. He claimed that any moral action is the action of the human will, which is governed by belief and spurred on by the passions; good habit is what aids men in directing their will toward the good; no universal rules can be made, as both situations and men's characters differ. Bacon's ideas about the improvement of the human lot were influential in the 1630s and 1650s; during the Restoration; and in the nineteenth and twentieth centuries.

This authoritative edition brings together an extensive collection of Bacon's writing - the major prose in full, together with sixteen other pieces not otherwise available - that reveals the essence of his work and thinking. Francis Bacon held some of the highest public offices in the land and in his spare time studied natural philosophy and a wide variety of other subjects. His systematic classification of all branches of knowledge became the basis for all later constructions, and his Essays are unsurpassed in their observations on society and human behavior. This extensive anthology includes the major English literary works on which his reputation rests: The Advancement of Learning, The Essays (1625, as well as the earliest version of 1597), and the posthumously published Utopian fable The New Atlantis (1626). In addition it reprints other works which illustrate Bacon's abilities in politics, law, theology, and poetry. A special feature of the edition is its extensive annotation which identifies Bacon's sources and allusions, and elucidates his vocabulary.

Francis Bacon's travel narrative, likely written in 1623 and published in 1627, is regarded as one of the earliest works of scientific utopian fiction. Its significance is comparable to that of Thomas More and Tommaso Campanella. Bacon inspired many thinkers, including Hobbes, Newton, and Jefferson. The story revolves around an academy focused on creating works for the benefit of humanity. Set in Bacon's time, it reinterprets Plato's vision of Atlantis while integrating classical, biblical, and Christian elements. The utopian society on the island of Bensalem lives in peace and charity, with Bacon's idea of the Great Renewal presented through symbolism. The Father of Solomon's House expresses the institution's goal of understanding the causes of things and expanding knowledge. The narrative offers a scientific foundation for an ideal legal system overseen by a court. Despite its influence on the establishment of scientific institutions, many of Bacon's ideas were not embraced, often due to poor translation and misunderstanding of his works. Today, modern science is frequently associated with political interference and materialism, contrasting with Bacon's emphasis on moral foundations and benevolent intent as essential for scientific advancement.

A unique edition of three early modern utopian texts, using a contemporary translation of More's Utopia and examining the Renaissance world view as shown by these writers. The edition includes the illustrative material that accompanied early editions of Utopia, full chronologies of the authors, notes, and glossary.

With the publication of Utopia (1516), Thomas More provided a scathing analysis of the shortcomings of his own society, a realistic suggestion for an alternative mode of social organization, and a satire on unrealistic idealism. Enormously influential, it remains a challenging as well as a playful text. This edition reprints Ralph Robinson's 1556 translation from More's original Latin together with letters and illustrations that accompanied early editions of Utopia. This edition also includes two other, hitherto less accessible, utopian narratives. New Atlantis (1627) offers a fictional illustration of Francis Bacon's visionary ideal of the role that science should play in the modern society. Henry Neville's The Isle of Pines (1668), a precursor of Defoe's Robinson Crusoe, engages with some of the sexual, racial, and colonialist anxieties of the end of the early modern period. Bringing together these three New World texts, and situating them in a wider Renaissance context, this edition - which includes letters, maps, and alphabets that accompanied early editions - illustrates the diversity of the early modern utopian imagination, as well as the different purposes to which it could be put.

Throughout history, some books have changed the world. They have transformed the way we see ourselves � and each other. They have inspired debate, dissent, war and revolution. They have enlightened, outraged, provoked and comforted. They have enriched lives � and destroyed them. Now Penguin brings you the works of the great thinkers, pioneers, radicals and visionaries whose ideas shook civilization and helped make us who we are. Francis Bacon�s landmark writings on subjects ranging from anger and ambition, marriage and money to envy and empire established him as the founding father of modern scientific thinking, with his rejection of superstition and his emphasis on proof and experiment, rational enquiry and reasoned argument.

Art comes in all forms and whether it's folk art, mime, painting, dancing, or music, the art tells a story and there is no need for words

The book presents a collection of insightful discourses that delve into profound themes such as life, death, truth, and love. Each short piece is crafted with wisdom and wit, encouraging readers to reflect on adversity, superstition, health, ambition, and fame. Its engaging style makes complex ideas accessible and thought-provoking, inviting contemplation on timeless aspects of the human experience.

This collection features the influential works of Lord Bacon, encompassing both his physical and metaphysical ideas. Notable pieces include "The Advancement of Learning" and "Novum Organum," which explore the foundations of scientific inquiry and empirical methodology. The book is a faithful reprint of the 1886 edition, preserving the original text and insights that have shaped philosophical and scientific thought.

This edition features a reprint of a classic work originally published in 1857, preserving the historical significance and context of the time. Readers can expect to engage with the themes and ideas that shaped the era, offering insights into the societal norms and challenges of the period. The text remains a valuable resource for those interested in literature's evolution and the cultural landscape of the 19th century.

This publication focuses on reproducing historical works in large print, catering specifically to individuals with impaired vision. The Megali publishing house is dedicated to enhancing accessibility in reading by ensuring that important texts are available in formats that are easier to read.

Focusing on the methodology of science, this philosophical text by Sir Francis Bacon explores the principles of interpreting nature. Bacon delves into the processes of inquiry and experimentation, advocating for a systematic approach to understanding the natural world. His insights lay the groundwork for modern scientific thought, emphasizing the importance of observation and reason in the pursuit of knowledge. This work is essential for anyone interested in the foundations of scientific methodology and philosophical inquiry.

Exploring profound philosophical insights, this collection features Bacon's essays alongside reflections from ancient thinkers. The work is enriched by a biographical notice from A. Spiers, a preface by B. Montagu, and various notes from different writers, providing a comprehensive context for readers. It delves into themes of knowledge, ethics, and human nature, making it a significant resource for those interested in classic wisdom and philosophical discourse.

This 1605 work by Francis Bacon is a significant contribution to the development of empirical philosophy, advocating for a systematic approach to knowledge. Its influence extends to the taxonomic structure of the Encyclopédie, shaping the organization of knowledge in the Enlightenment. Bacon's exploration of both divine and human learning underscores the importance of empirical methods in understanding the world, marking a pivotal moment in the history of philosophy and education.

This book is a reproduction of a historical work, presented in large print to enhance accessibility for readers with impaired vision. The publishing house Megali focuses on making such texts available, ensuring that important historical literature can be enjoyed by a wider audience.

This book is a reproduction of a historical work, specifically designed in large print to enhance accessibility for readers with impaired vision. Published by Megali, a house dedicated to making historical texts more readable, it aims to preserve the original content while ensuring that it is easily legible for all audiences.

Exploring a diverse array of styles, Francis Bacon's collection delves into both public and private life, presenting essays that systematically examine various topics from multiple perspectives. Each piece contrasts differing arguments, showcasing Bacon's philosophical insights and rhetorical skill. This foundational work reflects his thoughts on morality, politics, and human behavior, making it a significant contribution to literature and philosophy.

Alberto Giacometti (1901−1966) and Francis Bacon (1909−1992) are two artists whose bodies of work influenced twentieth-century art and continue to resonate to this day. What turned them into icons in their field has to do with their individual lifestyles, as well as with the historical, social, and aesthetic upheavals in Europe after 1945, which each artist reflected upon in his ouevre. The Fondation Beyeler has ambitiously undertaken a juxtaposition of the two artists in a large, upcoming exhibition in 2018. In a fascinating way, the meeting of the two artists’ work here is like a dialogue about space and time, in which it is possible to recognize each man’s art in the work of the other. The show’s companion catalogue continues to intensify and carry on this conversation in words and pictures. Exhibition: Fondation Beyeler, Riehen/Basel 25.4.–2.9.2018

Kniha rozhovorů s Francisem Baconem. Francis Bacon (1909–1992) zvolil v třiceti pěti letech, uprostřed poválečných vln op-artu, monochronní malby a konceptuálního umění, návrat k tradiční technice, k postavám a dějům. Vytvořil monumentální dílo, které je, v druhé polovině 20. století, zcela ojedinělé. Edice De arte přináší překlad Baconových rozhovorů se známým anglickým kritikem Davidem Sylvestrem. Rozhovory vznikaly postupně v rozmezí let 1962–1979. Nacházíme zde reakce na surrealismus a kubismus, stejně jako na Eliota či Valéryho, Michelangela či Duchampa, Rembrandta či Muncha. Bacon – piják, hráč a divoch – velmi přesně a dopodrobna analyzuje pozadí umělecké tvorby. Je to dokonalý klíč k pochopení jedné z největších postav tohoto století. Graham Greene napsal, že „je to vzrušující dokument, srovnatelný s Delacroixovým deníkem“.

Jedno ze stěžejních děl anglického vědce, filozofa a státníka. Filosoficky nejdůležitější dílo Francise Bacona je spis Nové Organon (plným původním názvem Novum Organum Scientiarum). Název úmyslně odkazuje na jiný spis, jehož autorem je Aristoteles a jehož název je Organon (tzn. řecky nástroj). Francis Bacon chce svým dílem dát vědcům a filosofům „nový nástroj“, který umožní překonání dosavadní vědy a filosofie. Nástrojem je induktivní metoda, která spočívá v postupu od konkrétních dat k obecným závěrům a liší se tak od dosavadní převažující metody dedukce, která spočívá v postupu od obecných zákonitostí ke konkrétním jednotlivostem. Baconova metoda tak klade důraz na empiricky zachytitelná data, na pozorování a experiment a Bacona tak lze považovat za otce moderní vědy. Bacon kritizuje výsledky staré scholastické vědy a filozofie jako neplodné filosofování, které nemá často užitek pro člověka, a požaduje po vědě užitečnost člověku a zlepšování podmínek života lidí....

(Zu dem Werke über die beste Staatsverfassung) Ich schäme mich beinahe, liebster Petrus Ägidius, Dir dieses Büchlein über den Staat von Utopia erst nach fast einem Jahre zuzusenden, das Du zweifellos schon nach sechs Monaten erwartet hast, da du ja wußtest, daß in diesem Werke die Mühe des Erfindens für mich wegfiel und ich auch über die Einteilung nicht nachzudenken, sondern nur das wiederzugeben brauchte, was ich mit Dir zusammen genauso wie Du den Raphael erzählen hörte.

Das Werk von Francis Bacon präsentiert eine grundlegende Erneuerung der wissenschaftlichen Methodik und des Denkens. Bacon kritisiert die traditionellen Ansätze der Philosophie und fordert eine empirische Herangehensweise, die auf Beobachtung und Experiment basiert. Er legt die Prinzipien des induktiven Schließens dar und betont die Bedeutung der praktischen Anwendung von Wissen. Durch seine Ideen wird ein wichtiger Grundstein für die moderne Wissenschaft gelegt, der die Entwicklung der Naturwissenschaften maßgeblich beeinflusst hat.

Francis Bacon, ein bedeutender englischer Philosoph und Staatsmann, prägte die wissenschaftliche Methodik und warnte vor der Zersplitterung des Christentums. Dieses Werk umfasst seine einundfünfzig Essays, die "Weisheit der Alten" mit neu erzählten Fabeln und "Apophthegmata", eine Sammlung von Anekdoten zu verschiedenen Themen.

Svazek obsahuje jednak utopické dílko (Nová Atlantida, 1627) anglického renesančního filozofa a státníka o smyšlené ostrovní říši šťastných a spokojených lidí, kteří všestranným využitím vědy a techniky, ale i pěstováním umění a dovedností dosáhli vysoké životní úrovně a vlády nad přírodou, a jednak výbor z jeho esejistické tvorby, podávající obraz myšlení renesančního člověka o smyslu života a vztahu k lidem apod.

Eseje autora, který byl předním představitelem kulturního dění na královském dvoře za panování královny Alžběty a jejího následovníka Jakuba I. Obsáhle navazuje a doplňuje antické i další filosofy, rozebírá lidskou existenci i život formou, která se týká všech. V textu používá řadu citátů antických autorů i filosofů své doby

Výbor z literární činnosti Francise Bacona. První překlad do češtiny některých z jeho esejí.

Campanella ve své utopii líčí ideální společnost, kde neexistuje soukromé vlastnictví a kde nejdůležitějšími hodnotami jsou vzdělání, práce a sounáležitost. V čele státu stojí svrchovaný vládce, nejmoudřejší člověk ve státě, jemuž jsou podřízeni Láska, Moc a Moudrost. Praktickyvšechny činnosti ve státě jsou řízeny a kontrolovány politickou mocí, která je výrazně propojená s náboženstvím. Z ruského překladu Gorod Solnca, 1947, přeložili a s latinským originálem srovnali Jiřina a dr. Otakar Mohylovi. Předmluvu (Campanellova komunistická utopie V. P. Volgina), životopis (od F. A. Petrovského) a poznámky přeložila z ruštiny Jiřina Růžičk

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Der moderne Mensch - in seiner existenziellen Zerrissenheit, seiner sozialen Vereinsamung und seiner kreatürlichen Rohheit - steht im Mittelpunkt des malerischen Schaffens von Francis Bacon (1910-1992). Von besonderer Bedeutung sind hierbei die Porträts des Künstlers: die dynamisch aufgebrochenen Selbstbildnisse ebenso wie die von fast brutaler Leidenschaftlichkeit getriebenen Darstellungen seiner Freunde und Künstlerkollegen. Zwischen Abbildung der Natur und surrealistischer Verfremdung entstand so eine einzigartige Galerie des Menschen im Jahrhundert der Moderne. Die Publikation widmet sich erstmals in großer Ausführlichkeit diesem Aspekt im Werk des bedeutendsten englischen Malers des 20. Jahrhunderts und verfolgt die Geschichte seiner Modelle sowie deren ganz unterschiedlichen Beziehungen zum Künstler. Nicht zuletzt werden die von ihm angewandten Verfremdungsverfahren beleuchtet, die jene eindringlich beklemmende Aura schaffen, durch die sich seine Porträts auszeichnen. Ausstellung: Hamburger Kunsthalle 14.10.2005-15.1.2006