Kenneth Clark Livres

A personal view of how Western Europe evolved after the collapse of the Roman Empire and produced the ideas, books, buildings, works of art and great individuals that make up a Civilisation.

A dictionary of themes common to western art -- especially those arising from classical and Christian sources -- primarily from the Renaissance onward. Included are persons (and personifications), objects (especially attributes), and common events (e.g., The Raising of Lazarus). Special attention is paid to the interpretation of symbols in art. There is a list of sources at the beginning of the dictionary and an index at the end, but no illustrations. [Review, Oberlin Art Library Staff, BQP 6/16/2005]

From the art of the Greeks to that of Renoir and Moore, this work surveys the ever-changing fashions in what has constituted the ideal nude as a basis of humanist form.

Tiles are a beautiful form of ceramic that lend themselves to an extraordinary diversity of uses and treatments. In this outstanding overview, Kenneth Clark, a distinguished tile designer and maker, introduces readers to their creation, ornamentation, and use. Tile making using earthenware, stoneware, porcelain, and paper clay is fully described as are the decorative techniques, like painting, screen printing, and sgraffito. The work of leading tile designers is also examined, along with their approaches and applications. To complete the book, Clark offers practical information on the uses of tile, including floors, walls, roofs, fireplaces, murals, and swimming pools; details on how to repair tiles; and advice on how to protect and care for them. Written by an expert, and with 280 color photos, The Tile is sure to captivate anyone interested in learning or appreciating the skills of this age-old craft.

Published December 22nd 1981 by Random House Value Publishing. Limiting himself to the Western world, Lord Clark presents his selection of sculptures and paintings of feminine beauty through the ages.

The distinguished British art historian and critic recounts his Edwardian childhood, his aesthetic development and education, the early years of his marriage, and his pre-war relationships with a gallery of famous and influential people